Chicago Italians

How six recent Columbia College grads got Hollywood muscle to help them make their mob movie

Chris Charles says he warned his star up front: "But I don't think it really registered till his first day of shooting in downtown Chicago."



Charles had cast Frank Vincent as the lead in Chicago Overcoat, an independent drama that will receive its world premiere Saturday, October 10, at the Chicago International Film Festival. Known almost exclusively for playing gangsters—including New York crime boss Phil Leotardo on The Sopranos and Billy Batts, who ends up in a trunk in Goodfellas—Vincent, 70, got to the set in October 2007 and realized that most of the crew were in their early 20s. "He's looking around like, 'Where'd all these kids come from?'" says Charles, who's now 25.



Chicago Overcoat was the first full-length feature produced by Beverly Ridge Pictures, a company formed in 2005 by six Columbia College film students, including Charles. Writer-director Brian Caunter, now 26, and writer-producer John Bosher, now 25, developed a sideline producing promotional and music videos while roommates at Columbia. Their "booty video," as Caunter calls it, for Joe Glass & IROC's "Two" got heavy rotation on BET Uncut in 2004. The next year, Caunter and Bosher joined forces with Charles, Philip Plowden, Kevin Moss, and William Maursky to form Beverly Ridge, named after Moss's far-south-side neighborhood. "The name sounds Hollywood, but it's also kind of Chicago," Caunter explains. They used Givens Castle, a Beverly landmark, as their logo. Charles directed Beverly Ridge's first production, a short adaptation of the Ray Bradbury short story "The Small Assassin."



In 2006 the six friends worked on a low-budget thriller called The Devil's Dominoes, directed by Scott Prestin, owner of the now-defunct Wicker Park bar Ginbucks. "We realized from that experience that we were more prepared than we thought to make a feature," Charles says. They were all fans of gangster films and figured they could make one without incurring a lot of extra production costs by taking advantage of Chicago locations.



"For months all we had was a title," says Caunter. His grandmother in Ohio had suggested "Chicago Overcoat," Prohibition-era slang for a coffin. The Family Secrets mob trials were in the headlines at the time and wound up providing inspiration for the screenplay.



Vincent plays Lou Marazano, an old hit man for the Chicago Outfit, who accepts his first contract in years—going after witnesses in a union pension-fund embezzlement case—to finance his Vegas retirement. Another Goodfellas vet, Mike Starr, is the underboss who exploits Marazano's money troubles. Another Sopranos alum, Kathrine Narducci, plays Marazano's old flame and alibi. Armand Assante plays the jailed boss facing trial. Chicago-based actor Danny Goldring is the alcoholic detective who's been chasing Marazano since the 1980s. And Stacy Keach does a cameo as a retired investigator pulled off the case when he got too close to city corruption.



"We were huge fans of The Sopranos," Caunter says. "We decided to write the script with Frank Vincent in mind so when he read it he'd feel like the main character is Frank Vincent. His book A Guy's Guide to Being a Man's Man was our character outline." The partners figured that "if we could create roles from scratch for celebrities, knowing they'd want to play something different, something challenging, we'd have an easier time recruiting them," Charles says. "We usually see Frank as a high-rolling mobster, higher on the food chain. In this film he's very humbled, very flawed, taking orders from guys younger than him."



Charles got the script to Vincent's people, and Vincent responded even though it came from unknowns in flyover country. "What appealed to me was the sensitivity of playing the softer side of a mob guy," Vincent says, "a guy who's not in control, who's looking to get the control." Vincent says he met a lot of mafiosi while touring as a drummer for Del Shannon and Paul Anka in the 1960s, helping him perfect a persona he's portrayed in Scorsese masterpieces and B movies alike. "They all have a way of looking at you, of intimidating you," Vincent says. "They're all evil. I can give a look or a stare that people read as evil."



Caunter and Charles signed Vincent at a place called Goodfellas Ristorante near his New Jersey home. "Frank walked in in a jumpsuit with a gold chain, looking like he walked off the set of The Sopranos," Charles says.



Once Vincent signed on, the other leads followed. Joe Mantegna was cast as the detective but dropped out weeks before shooting to take a role on CBS's Criminal Minds. "That was tough," Charles says. "I'd worked very hard to cast Joe." Goldring, who played the last clown killed in the opening bank heist sequence of The Dark Knight, stepped in. "They're so young, but they really got the writing for old-timers down," Goldring says.



The mother of cinematographer Kevin Moss, JoAnne Moss, who runs a real estate title insurance firm, personally invested "hundreds of thousands of dollars" and helped raise the rest of the $2 million budget, according to a report in Crain's Chicago Business. "Originally it was a smaller film. But as we found some success attaching talent, the budget increased," Charles says. "The project just kept getting bigger."



The filmmakers' youth "concerned me, absolutely," Vincent says. "They were younger than my kids. I've never experienced that before in all the films I've done, such a young team. . . . I figured if they were going to screw up, they'd screw up right away. As we progressed into the shoot, it became clear that they really knew what they wanted, and that was enough to make me confident."



Caunter, who turned 24 during the shoot, says he felt like "a chicken with its head cut off. Most of the time you have no idea what's going on. You feel like the world is going to end. You shoot for 12 hours, you come home and feel like you failed. The next day you feel like you want to redeem yourself. I think that's what makes a good movie—the struggle. If everything went your way it might feel kind of washy. I never had that experience, so I don't know."



The biggest adjustment for Caunter was learning to adapt to each actor's approach. "Frank is quite easygoing," he says. "Armand is the polar opposite. Armand would scream obscenities at the top of his lungs before the take. That alone would scare half the set, and then we'd roll the camera."



"They turned me loose," says Goldring. "That can be a dangerous thing for any actor, but they also had the good sense to rein me in. I'm a passion merchant. Doing Chicago Overcoat allowed me to let my passions out. The [character] is . . . ornery. He likes to tip back a few. Even though I don't do that anymore, I can play one on TV."



Accusations of ethnic stereotyping have dogged many of Vincent's projects. Last spring, MillerCoors pulled a series of ads featuring Vincent and Starr as mobsters after complaints from the Order Sons of Italy in America. Chicago Overcoat is no exception. After principal photography wrapped in November 2007, Bosher got an e-mail from Bill Dal Cerro of the advocacy group Italic Institute of America. Dal Cerro wrote, "It saddens—and yes, sickens me—that you are reverting to the oldest game in the book in your quest for Hollywood fame: namely, stoking prejudice against Americans of Italian descent by producing yet another pointless Italian 'mob' movie."



"I told him they can't force us to stop making movies that people want to see," Bosher says. "They have to change people's minds." Let them protest, adds Vincent, who sells "mobbleheads" of his Goodfellas character on his Web site. "It'll do the movie good."


It's going to be tough to recover the $2 million budget in today's independent film market, which is arguably in a deeper slump than the rest of the economy. Todd Slater of LA-based Huntsman Entertainment is shopping the film to distributors. "We've had a lot of offers from smaller companies," Charles says. "We've been waiting patiently for the right buyer. We want an offer we can't refuse

Courtesy of Chicago Reader.com

James Belushi was born June 15, 1954 in Chicago but grew up in Wheaton, Illinois. He is the third of four children of Adam Belushi,  and Agnes, who was born in the U.S. of
A dedicated husband and father he resides in Los Angeles with his wife - Jennifer; 2 sons - Robert ( '81) and Jared ('02) and a daughter - Jamison ('99).    Jim is currently starring in his own sitcom, titled  According to Jim, which can be seen at it's regular time slot on the ABC network and 5 days a week in syndication.

Another Chicago Class Act
Date of Birth: November 13, 1947

"I never lose sight of the fact that I'm in a line of work that is, essentially, other people's fantasies."

Born Joseph Anthony Mantegna Jr., Joe and his big brother Ronald were brought up in Chicago, Illinois. When he was eight, he contracted rheumatic fever, and was sent to a charity sanatorium for five months to recover. He attended Morton East High School in Cicero when he met his future wife, actress Arlene Vrhel.

After high school, Joe went to Morton Junior College and in two years, he won a scholarship to the Goodman Theater School in DePaul University. In 1969 he met up with Vrhel again. The two began dating when both were cast in a production of Hair, and married six years later in 1975. They presently have two daughters, Mia Marie, born 1987 and Gina born 1991.

Mantegna received a number of awards for his work on stage and in television and film. He won an award for his role in Bleacher Bums from the New York Dramatics Guild in 1979.

Unfortunately, it wasn't until 1984 that audiences began to notice him. He made his breakthrough with his stage role as Ricky Roma in Mamet's Glengarry Glen Ross, for which he won a Tony for Best Featured Actor and the Joseph Jefferson Award for Best Supporting Actor, and shared the 1984 award for Outstanding Ensemble from the Special Drama Desk Awards.

From his success in theater, he transferred his energy to film. Although he began with smaller roles, his patience would pay off when in 1988, he won Best Actor from the Venice Film Festival for his portrayal of a two-bit gangster in Things Change (1988).

Since then, he has been getting roles in largely mediocre films, but at times can also be found in big hits including Godfather III (1990), Searching for Bobby Fischer (1993) and Thinner (1996). He has starred in television series such as Joan of Arcadia from 2003 to 2005, and on Criminal Minds. He also works on the big screen in films such as Witless Protection (2008).

The Chicago-style "deep-dish" pizza that many people love was invented at Pizzeria Uno, in Chicago, in 1943, reportedly by Uno's founder Ike Sewell, a former University of Texas football star. However, a 1956 article from the Chicago Daily News asserts that Uno's original pizza chef Rudy Malnati developed the famous recipe.


The pizza's foundation is simple. It uses a thick layer of dough (made with olive oil and cornmeal) that is formed to a deep round pan and pulled up the sides. The pizza crust is then parbaked before the toppings are added to give it greater spring.



Parbaking is a cooking technique in which a bread or dough product is partially baked and then rapidly frozen or cooled. The raw dough is baked as if normal, but halted at about 80% of the normal cooking time, when it is rapidly cooled and frozen. The partial cooking kills the yeast in the bread mixture, and sets the internal structure of the proteins and starches (the spongy texture of the bread), so that it is now essentially cooked inside, but not so far as to have generated "crust" or other externally desirable qualities that are difficult to preserve once fully cooked.



The crust is then covered with cheese (generally sliced mozzarella) and covered with meats and/or vegetables such as Italian sausage, onions, and bell peppers. A sauce consisting of crushed or pureed tomatoes is then added. Usually this is topped with a grated cheese blend to add additional flavor. On the usual pizza, about a pound of cheese is added. Because of the amount of ingredients in this style of pizza, it is usually eaten with a knife and fork. It's quite messy to eat with your fingers.



In addition to Uno, additional famous deep-dish restaurants include Uno's companion restaurant Due, which was opened just down the block by Sewell in 1955. However, a year before, in 1954, The Original Gino's Pizza, located on Rush Street, opened its doors, and 12 years later in 1966, Gino's East opened. Other deep dish restaurants include Edwardo's, Connie's, Giordano's, Carmen's, Pizano's (which is owned by Rudy Malnati's son, Rudy Jr.), and Lou Malnati's (which was begun by another of Rudy Malnati's sons and is now run by his grandsons and has 26 Chicago area locations).



Chicago deep-dish pizza is famous throughout the world. Accordingly, many Chicago deep-dish pizza restaurants will ship their pizzas, partially baked, within the continental U.S.



In the mid-1970s, two Chicago chains, Nancy's, founded by Rocco Palese, and Giordano's began experimenting with deep dish pizza and created the stuffed pizza. Palese based his creation on his mother's recipe for scarciedda, an Italian Easter pie from his hometown of Potenza. A Chicago Magazine article featuring Giordano's stuffed pizza popularized the dish. Other pizzerias that make stuffed pizzas include Bacino's, Edwardo's and Carmen's. Most also make thin crust pizzas.



Stuffed pizzas are often even taller than deep-dish pizzas, but otherwise, it can be hard to see the difference until you cut into it. A stuffed pizza generally has much higher topping density than any other type of pizza. As with deep-dish pizza, a thin layer of dough forms a bowl in a high-sided pan and the toppings and cheese are added. Then, an additional layer of dough goes on top and is pressed to the sides of the bottom crust.



At this stage of the process, the thin dough top has a rounded, domed appearance. Pizza makers often puncture a small hole in the top of the "pizza lid" to allow air and steam to escape while cooking. This allows the pizza sauce to permeate through the pie. Pizza sauce is added to the top crust layer and the pizza is then baked.



Chicago pan pizza in Chicago is similar to the traditional deep-dish style pizza served in other areas of the country, and baked in a similar deep-sided pan, but its crust is quite thick -- a cross between the buttery crisp crust and focaccia. Toppings and cheese frequently go on the top of a pan pizza, rather than under the sauce as is traditionally the case with deep-dish and stuffed pizza. The placement of the cheese and toppings on top make the pan pizza variety similar to a thin-crust pizza with a thicker and larger crust.



In addition to Chicago-style deep-dish pizza, there is also a thin-crust pizza unique to Chicago, sometimes referred to as "flat pizza". The crust is thin and firm, usually with a crunchy texture, unlike a New York-style pizza, yet thick enough to be soft and doughy on the top.



The crust is topped with a liberal quantity of Italian style tomato sauce. This type of sauce is usually seasoned with herbs or and highly spiced. Typically there are no visible chunks of tomato in the crust. A layer of toppings is added, and finally a layer of mozzarella cheese.



Chicago style pizza has a rich and famous heritage and admirers from all over the world. If you're a pizza lover and you've never tried this type of pizza, be sure to give it a try, I'm absolutely convinced that you will love it!

I would like to take the time to congratulate the Chicago Blackhawks on making it to the Stanley Cup Finals after they swept the San Jose Sharks with a 4-2 win at the United Center earlier this afternoon. Just four more wins and they will become Champions for the first time since 1961 and for the fourth time in their history. They are a young team that plays like a veteran squad, and whether they meet up with the Montreal Canadiens or the Philadelphia Flyers from the East, they are my pick to win Lord Stanley's mug. To me, they just do not seem like they can be stopped.

Another Class Act from Chicago

John Carpino begins his seventh season with the Angels, with 2010 marking his first year as club President, following his promotion in November of 2009. As President, Carpino will focus on the areas of Business, Sales, Marketing and Communications. His promotion follows six seasons as the Angels' Senior Vice President of Sales and Marketing during which he oversaw all aspects of marketing, promotions and ticket sales for the Angels organization. Under Carpino's direction, the Angels' organization has enjoyed unprecedented financial growth in the sponsorship, marketing and ticketing divisions. Under his leadership, Angels' attendance has exceeded 3.2 million for six consecutive seasons (2004-2009).
Carpino began his professional career in 1982 in the billboard industry, including stints in Tucson, Ariz., Chicago, Ill., Phoenix, Ariz., and Los Angeles, Calif. In 1985, he joined Arte Moreno at Outdoor Systems, a billboard company (which later became Viacom Outdoor in 2000 and CBS Outdoor in 2005) and spent 18 years in the Phoenix, Ariz. (1985-95) and Los Angeles (1995-2003) markets. Carpino oversaw $200 million in sales for the Western Region.
Carpino, 51, was born in Chicago, Ill., and is a 1982 graduate of the University of Arizona with a degree in Business Administration. He serves on the Executive Board for the Orange County United Way. John and his wife Elizabeth have three children and reside in Laguna Beach.

Portillo's Hot Dogs

The best food and the best service!



Welcome to Portillo's Hot Dogs, Inc., started in 1963 by Dick Portillo in a small trailer and soon will be operating in 31 locations. His dedication to serving "the best food" and "the best service" available will make it worth your visit. Requests for his "type" of food and "service" are received daily at the corporate office from many of the 50 states (including Alaska) and many foreign countries. Calls from Taiwan, the Phillipines, Singapore, China, Europe, and Korea are just a few. Customers in the Chicagoland area also call frequently requesting a store just "a little closer to our house."

So, come enjoy what we hope you will find to be the best Hot Dog, Italian Beef, Maxwell Street Polish, Tasty Burgers, Fresh Salads and more at any of our locations. Bring the kids and ENJOY!

Portillo's won so many Silver Platter awards (the "Oscars" of the food industry) that the company retired from competition for 5 years to give others a chance. Come try our award-winning food and see if you agree.

Name : Dennis Farina


Date of birth : 29 February 1944


Birthplace : Chicago, Illinois, USA


Height : 6' 1½


Profession : Actor

Dennis Farina Detailed Biography


Lovable tough guy character actor Dennis Farina was already well into his first career as a Chicago cop before he was able to turn his occasional acting gigs into a prodigious new line of work.



Raised in Chicago by Italian immigrant parents, Farina joined his hometown's police force in the mid-'60s, settling into a life of law enforcement. When he was hired to be a local consultant on Michael Mann's film Thief (1981), however, Farina wound up with a bit part as the villain's heavy. Farina continued to moonlight as an actor for several years, appearing in local theater and occasional movies, including Final Jeopardy (1985) and the Chuck Norris vehicle Code of Silence (1985). Though Dennis Farina never took an acting class, Farina was a natural; after Michael Mann offered him the lead in the series Crime Story in 1986, Farina left the police force to play a TV cop. During his 1986-1988 stint on the series, Farina also played FBI agent Jack Crawford (Scott Glen's part in Silence of the Lambs [1991]) in Mann's stylish thriller Manhunter (1986), was the Birdman of Alcatraz in the TV movie Six Against the Rock (1987), and a cop in TV movie mystery Through Naked Eyes (1987).



Drawing on his no-nonsense charm as well as his eclectic life experience, Farina continued to shine in roles on both sides of the law, such as serial killer Angelo Buono in The Case of the Hillside Stranglers (1989) and the lead prosecutor in the TV docudrama Blind Faith (1990). As nimble with comedy, Farina went up against Robert De Niro and Charles Grodin as a mobster in the popular buddy yarn Midnight Run (1988). Dennis Farina's versatility firmly established by the 1990s, Farina's early '90s work ranged from playing a billionaire in People Like Us (1990), to Banquo in a New York gangland version of Macbeth, Men of Honor (1991), as well as supporting roles in the comedy Another Stakeout (1993), Bruce Willis actioner Striking Distance (1993), John Turturro's Italian-American family drama Mac (1993), and vicious neo-noir Romeo Is Bleeding (1994).



Farina's appearance as John Travolta's nemesis, hilariously bumbling tough guy Ray "Bones" Barboni, in Barry Sonnenfeld's adaptation of Elmore Leonard's Get Shorty (1995), led to his most notable hit since Midnight Run. His career hitting a new high, Farina co-starred with Bette Midler as reunited exes in Carl Reiner's That Old Feeling (1997), and starred as a Sicilian bigwig in the high-profile TV miniseries Bella Mafia (1997). Though his Marshall Sisco made only a brief appearance in Steven Soderbergh's esteemed Elmore Leonard adaptation Out of Sight (1998), Farina was pitch-perfect as Jennifer Lopez's protective dad. After joining the superb corps in Steven Spielberg's award-winning Saving Private Ryan (1998), Farina returned to series TV, playing smooth detective Buddy Faro (1998); the series, however, lasted only one season.



Returning to films, Farina followed his role as the police captain who recruits The Mod Squad (1999) with another comic turn as a New York gangster who sets the diamond larceny plot in motion in Snatch (2000), adding a dash of Hollywood celebrity (along with Brad Pitt and Benicio del Toro) to British lad director Guy Ritchie's sophomore effort. The releases of two of Farina's next films, Barry Sonnenfeld's caper Big Trouble (2001) and Edward Burns' romantic comedy Sidewalks of New York (2001), were delayed after the terrorist attack on New York on September 11, 2001. Sidewalks of New York surfaced later in 2001, but the romantic comedy failed to charm a large audience. Big Trouble finally made it into theaters in the first half of 2002, but despite the big name cast, Sonnenfeld's farce joined such high profile fare as Arnold Schwarzenegger vehicle Collateral Damage (2002) and the espionage actioner Bad Company (2002) on the list of 9/11-delayed flops. Farina's next film, the broad, witless comedy Stealing Harvard (2002), also failed at the box office. Farina returned to television during the fall 2002 season with a lead role as a comically monstrous Meet the Parents-esque father-in-law on the sitcom The In-Laws (2002). Despite initially withering reviews, The In-Laws managed to show signs of ratings life.

Fra Noi has been the newspaper of record for the Chicago area Italian-American community for more than   four decades. Each month, we provide our readers with all the information they need to keep in touch with   each other, their community and their heritage. Fra Noi fosters a sense of awareness, identity, unity and   pride among Italian Americans, spotlighting their accomplishments and defending their reputation against defamation and sterotyping. My family has been recieving this paper for as long as I can remeber and I just turned 50, And have seen it at all friends house, Life in the Chicago Italian Community is well versed by the integrity of such a fine newspaper.