Chicago Italians

The Book chronicles the lives of working Chicago Italians for 80 years through photography and text

For more than a century, Italian immigrants and their descendants contributed their labor and talent to building the city. Chicago Italians at Work focuses on a period from 1890 to 1970 when industry was king in this midwestern metropolis. Generations of Italians found work in companies such as U.S. Steel, Western Electric, Pullman, Crane, McCormick/Harvester, Hart Schaffner and Marx, and other large industrial corporations. Other Italians were self-employed as barbers, shoe workers, tailors, musicians, construction workers, and more. In many of these trades, Italians were predominant. A complex network of family enterprises also operated in the Chicago Italian community. Small shopkeepers generated work in food services and retail employment; some of these ma-and-pa operations grew into large, prosperous enterprises that survive today. Finally, Italians helped develop trade unions, which created long-term economic gains for all ethnic groups in Chicago. This book chronicles the labor and contributions of an urban ethnic community through historic photographs and text.

Author Peter Nicholas Pero is a teacher and writer. He has taught courses in labor studies for Roosevelt University and Prairie State College. Pero has published articles on workplace economics through travel in China, Japan, Costa Rica, and Brazil. He lives in Chicago's Little Italy and is a member of the city's Italian-American Labor Council.

To buy the book, visit www.arcadiapublishing.com

I wonder if Miamians get bored with the Cuban sandwich or Philadelphians forego the Philly cheesesteak for long periods of time. I know, with so many new restaurants opening each day and so many tasty leads to follow, sometimes I take the local food icons here in Chicago for granted. I even forsake them occasionally. But, with so many fanny pack clad tourists descending on our city in search of salad dogs, deep dish pizza, and the Italian beef, I don’t really think they need me.

Fast forward to last Thursday when I just happened to be driving through Elmwood Park, a suburb adjacent to the Northwest side of Chicago city proper, and I spotted one of my favorite Italian beef stands: Johnnie’s. You know the soup nazi? Well, Johnnie’s proprietors are the beef Nazis. They make you wait in a single file line and if you’re the next person in line in front of the entrance door and you thing about holding it open to suck up some warm beefy air on a cold or rainy day, don’t do it. If you let so much as a minor draft sneak in to the store, you’ll get glares from the employees and customers alike. You also better have your order together when you hit the cash register and it better not include cheese on your beef (which is pretty much an equivalent crime in these parts to putting ketchup on your hot dog), unless, of course, you want to get laughed at.

The Italian beef usually consists of a thick Italian style roll filled with roasted thinly sliced beef that’s been marinated in a bevy of spices like garlic and oregano. Then you get choices: you can get it “dipped”, which means the whole sandwich gets dunked in the roasting gravy or jus before getting wrapped up, or you can get it “dry”, aka no dip. Likewise, you can get it “sweet” or “hot,” which indicates whether you get sweet green peppers or a spicy giardinara—usually consisting of celery, onion, and various peppers—on top. I prefer mine sweet, hot, and dipped.

Johnnie’s is my favorite combo, which means in addition to the beef, they add a fat link of Italian sausage. Johnnie’s link has a nice red pepper spice and a healthy bit of fennel, and, as far as I’m concerned, when joined with Johnnie’s lean, reasonably well spiced beef, makes the best combo around.

Sitting in my car and unwrapping the butcher paper was torture, but that first bite was a reminder that no matter how much Johnnie’s doesn’t need me, I’d forgotten how much I needed Johnnie's.

Lida Allegrini
Mother of Robert Allegrini, Regional Director of Communications for Hilton Hotels, Allegrini came to Chicago at 7-years old and settled among Toscani at 24th & Oakley. She discusses Balbo’s flight in 1933 during the Century of Progress, her journey to Chicago via Ellis Island, and reuniting with her father after three years of separation.

Leonard Amari, Esq.
Founder of the Italian American Political Coalition, Amari shares his thoughts on the Italian American political landscape, the controversy over redistricting, the new generation of Italian American politicians, and celebrated Chicago leaders like Frank Annunzio, Alderman Vito Marzullo and Illinois congressman Victor Arrigo.

Rosemarie Andolino
Executive Director of the O’Hare Modernization Program, and a second-generation Italian-American of Sicilian descent, Andolino discusses growing up in a bilingual household, how her ethnic identity informed her personal and professional life, and memories of her family’s traditions

Paul Basile
Currently Editor of Fra Noi, Chicagoland’s monthly Italian American newspaper, Basile discusses the paper’s history and its charismatic founder Father Pierini, Villa Scalabrini, Casa Italia, Senator Ron Turano, the media image of Italian Americans, Italian Americans in politics, and the Italian American community’s shift away from the city to the suburbs.

Mike Bacarella
An actor, author, and founder of the Italian American Actors Guild in Chicago, Bacarella discusses Italian Americans in the Civil War who settled in Chicago, and the plight of Italian American actors in TV and film.

Ed Bernardi
The son of immigrant parents, Bernardi grew up in Highwood among a large Northern Italian community. He reminisces about working at the exclusive North Shore Club as a caddy, and moving up the corporate ladder to found a successful financial management company and become president of the Union League Club.

Emilio Bertolini
Born in a mountain village near Lucca, Bertolini recounts his experiences as a young boy during WWII, how his father aided the Allies during the final months of the war, how his father was nearly killed by Nazi soldiers, and coming to America and the challenges of learning English.

Tom Brindisi
The Senior Associate Executive Director of the Chicago Area Project and son of Dan “Moose” Brindisi, one of the founders of the Project created to assist inner-city youth. Brindisi grew up in multi-ethnic neighborhood near Grand/Ogden and discusses his mixed heritage, and the positive influence that his father had on Italian American youth and young immigrants.

Dominic Candeloro, Ph.D.
An historian and author, Dr. Candeloro’s topics addresses early immigration and patterns of settlement, the formation of Little Italys and their demise, Chicago Heights History, labor history, the role of the Church, and Italian American politics.

Kathy Catrambone
An award-winning journalist and second-generation Italian American, traces her roots to the West Side and Taylor Street starting in the early 1900s, where she continues to live. She recently co-authored with Ellen Shubart Taylor Street: Chicago's Little Italy.

Sam Ciambrone
The former mayor of Chicago Heights, Ciambrone talks about life growing up in Chicago Heights, the fight to save San Rocco church; the Anthony Scariano’s long legacy, an Appellate Court justice and an Illinois legislator, and the predominance of Italian/Americans in municipal politics.

Father Gino Dalpiaz
C.S. Fathers of St. Charles, Chicago and former director of the Italian Cultural Center, Stone Park, Father Dalpiaz, a second-generation Northern Italian, discusses the mission of the Scalabrian Fathers, the establishment of parishes, Mother Francis Cabrini, Taylor Street, the construction of the U of I, Chicago campus the Sacred Heart Seminary and Villa Scalabrini and memories of growing up in Melrose Park.

Donna DeRosa
Granddaughter of controversial labor leader James Petrillo, President of the American Musicians Union, DeRosa discusses her grandfather and the fight to retain his name on Grant Park bandshell bearing his name

Dennis Farina
A popular film and television actor; Farina grew up in Little Sicily/Little Hell and shares his memories of growing up in hard-working family, his college-educated father, World War Two, the Great Depression, street processions, his thoughts on playing stereotypical roles and on the challenges that Italian Americans face in the industry.

Don Fiore
A musician of traditional Italian music and an historian of Italo Balbo, Fiore discusses Balbo’s flight, the Italian neighborhoods of Chicago, prejudice, personal experiences growing up; and the role of popular music in the community.

Fred Gardaphé, Ph.D.
Currently Director of Italian American Studies at SUNY Stony Brook; Dr. Gardaphe skillfully dissects the topic of media images of Italian Americans; growing up in Melrose Park, race relations, and a number of authors who have written about Chicago’s Italian American experience.

Theodore Grippo, Esq.
Chairman of the American Italian Defense Association, Grippo discusses AIDA’s lawsuit against Time-Warner, which distributes HBO’s long-running series “The Sopranos,” the Sacco and Vanzetti case and its impact on the local Italian-American community, the media image Italian Americans, and his own experiences with prejudice.

Bill Jaconetti
Melrose Park Police Chief Jaconetti, one of the most highly decorated law enforcement officers in the nation, talks about the legacy of Anthony Buongiorno and his fight against crime, the Italian work ethic, World War Two, Italian Americans in law enforcement, and public image.

Luciana Mordini
A first-generation Italian-American, Mordini gives a moving eyewitness account of the Our Lady of Angels fire and the subsequent demise of her predominantly Italian neighborhood, and talks about adjusting to Chicago life as a newly arrived immigrant.

Gloria Nardini, Ph.D.
An author, teacher and cultural commentator, Dr. Nardini discusses the role of women in the Italian American community, the challenges and benefits of living bi-culturally, Chicago’s Lucchese community, the role of social clubs, and the concept of bella figura.

Dominic Pacyga, Ph.D.
A Professor of History and the Acting Dean of Liberal Arts at Columbia College, Dr. Pacyga is a national authority on Chicago history. Dr. Pacyga comments on ethnic communities in Chicago; labor; living conditions; and social relations among immigrant communities. Dr. Pacyga was also featured in the three-part American Experience Series "Chicago: City of the Century."

Ceasar Pasquesi
WWII veteran from the Highland Park/Highwood Italian community, where many immigrants from the area around Modena had settled, Pasquesi shares his memories of WWII, including how his brother liberated their parents’ hometown, and the remarkable correspondence between his Italian-born father and sons throughout the war.

James Purgatorio
A second-generation Southern Italian, Purgatorio grew up in housing projects on Taylor Street. He gives commentary on neighborhood life, the eventual demise of his neighborhood, and Florence Scala’s fight to save it.

Senator Renato Turano
President of Turano Bakery and currently the first Italian-American to represent Italians abroad, Italian-born Senator Turano discusses how his family turned a small business into a multi-million dollar company, his memories of coming to America from Calabria at 15, family traditions, and his identity

Josephine Raciti Forsberg
Founder of the Second City Workshops, Forsberg is the daughter of a Tuscan father and mother of Sicilian descent. Forsberg addresses growing up in Oak Park, the discrimination she experienced during WWII and highlights from her career.

Judith Santacaterina
Granddaughter of Amabile Santacaterina, one of the most popular Italian-language broadccasters in Chicagoland, Santacaterina highlights moments from her grandmother’s career, including her contributions to the war effort.

Joseph Stella
A third-generation Italian-American and former president of FIERI-Chicago, Stella discusses his family’s connection to the Taylor Street neighborhood, his budding awareness of his ethnic identity, perceptions of Italian Americans in the media, and his vision for younger Italians Americans in the future.

Michael Serritella
Serritella discusses growing up in a well-to-do family in Oak Park, his family’s relationship with the Cuneo family, the role of religion among Chicago’s wealthy Italian Catholics, and his grandfather’s role as founder of the White Hand Society, an organization composed of businessmen and community leaders to fight Black Hand extortion.

Violet Valiani Chisholm
Valiani Chisholm discusses the 24th & Oakley community where she grew up, her parents’ involvement in labor strikes in the garment factories, attending university and marrying a non-Italian.

Rudolph Vecoli, Ph.D.
Professor Emeritus at the University of Minnesota, and former Director of the Immigrant Research Center, Dr. Vecoli is a nationally renowned expert on Italian immigration, and discusses patterns of migration, the formation of Italian colonies in Chicago, labor, and the padrone system.

Frances Varner (Amella) & Joseph Amella
Siblings Varner and Amella recall touching memories of growing up in Bridgeport, one of Chicago’s “hidden” Little Italys on the South Side, that contained a tightly-knit community of Southern Italian and Sicilians, relations between Italians and other ethnic groups in the neighborhood, religious processions and the closeness between childhood friends that still endures.

Neighborhood:
Little Italy/
University Village 1068 W. Taylor St.
Chicago, IL 60607

Mario's Italian lemonade has the consistency of a Slurpee and is like store-bought Italian ices, ''only better,'' promises Dorothy DiPaolo, the current owner's mother. Mario's ices consist of chilled slushlike lemonade, fruit and syrups in various flavors including fruit cocktail, pina colada, chocolate and banana. Lemon is the No. 1 flavor. DiPaolo opened the business in the '50s with her late husband, Mario. The wooden stand is Italian green, white and red, sprouting from the front of a brick rowhouse next door to Jamoch's Caffe. DiPaolo says that when she and her husband opened their stand, there were many stands and pushcarts in the neighborhood. Over the years, most have disappeared. She says customers from many years ago who went to nearby St. Ignatius come back and bring their children. Mario's also sells snacks including snowballs, seeds and nuts, lupini beans, dried chickpeas and candy.

Name : Dennis Farina

Date of birth : 29 February 1944

Birthplace : Chicago, Illinois, USA

Height : 6' 1½

Profession : Actor
Dennis Farina Detailed Biography


Lovable tough guy character actor Dennis Farina was already well into his first career as a Chicago cop before he was able to turn his occasional acting gigs into a prodigious new line of work.

Raised in Chicago by Italian immigrant parents, Farina joined his hometown's police force in the mid-'60s, settling into a life of law enforcement. When he was hired to be a local consultant on Michael Mann's film Thief (1981), however, Farina wound up with a bit part as the villain's heavy. Farina continued to moonlight as an actor for several years, appearing in local theater and occasional movies, including Final Jeopardy (1985) and the Chuck Norris vehicle Code of Silence (1985). Though Dennis Farina never took an acting class, Farina was a natural; after Michael Mann offered him the lead in the series Crime Story in 1986, Farina left the police force to play a TV cop. During his 1986-1988 stint on the series, Farina also played FBI agent Jack Crawford (Scott Glen's part in Silence of the Lambs [1991]) in Mann's stylish thriller Manhunter (1986), was the Birdman of Alcatraz in the TV movie Six Against the Rock (1987), and a cop in TV movie mystery Through Naked Eyes (1987).

Drawing on his no-nonsense charm as well as his eclectic life experience, Farina continued to shine in roles on both sides of the law, such as serial killer Angelo Buono in The Case of the Hillside Stranglers (1989) and the lead prosecutor in the TV docudrama Blind Faith (1990). As nimble with comedy, Farina went up against Robert De Niro and Charles Grodin as a mobster in the popular buddy yarn Midnight Run (1988). Dennis Farina's versatility firmly established by the 1990s, Farina's early '90s work ranged from playing a billionaire in People Like Us (1990), to Banquo in a New York gangland version of Macbeth, Men of Honor (1991), as well as supporting roles in the comedy Another Stakeout (1993), Bruce Willis actioner Striking Distance (1993), John Turturro's Italian-American family drama Mac (1993), and vicious neo-noir Romeo Is Bleeding (1994).

Farina's appearance as John Travolta's nemesis, hilariously bumbling tough guy Ray "Bones" Barboni, in Barry Sonnenfeld's adaptation of Elmore Leonard's Get Shorty (1995), led to his most notable hit since Midnight Run. His career hitting a new high, Farina co-starred with Bette Midler as reunited exes in Carl Reiner's That Old Feeling (1997), and starred as a Sicilian bigwig in the high-profile TV miniseries Bella Mafia (1997). Though his Marshall Sisco made only a brief appearance in Steven Soderbergh's esteemed Elmore Leonard adaptation Out of Sight (1998), Farina was pitch-perfect as Jennifer Lopez's protective dad. After joining the superb corps in Steven Spielberg's award-winning Saving Private Ryan (1998), Farina returned to series TV, playing smooth detective Buddy Faro (1998); the series, however, lasted only one season.

Returning to films, Farina followed his role as the police captain who recruits The Mod Squad (1999) with another comic turn as a New York gangster who sets the diamond larceny plot in motion in Snatch (2000), adding a dash of Hollywood celebrity (along with Brad Pitt and Benicio del Toro) to British lad director Guy Ritchie's sophomore effort. The releases of two of Farina's next films, Barry Sonnenfeld's caper Big Trouble (2001) and Edward Burns' romantic comedy Sidewalks of New York (2001), were delayed after the terrorist attack on New York on September 11, 2001. Sidewalks of New York surfaced later in 2001, but the romantic comedy failed to charm a large audience. Big Trouble finally made it into theaters in the first half of 2002, but despite the big name cast, Sonnenfeld's farce joined such high profile fare as Arnold Schwarzenegger vehicle Collateral Damage (2002) and the espionage actioner Bad Company (2002) on the list of 9/11-delayed flops. Farina's next film, the broad, witless comedy Stealing Harvard (2002), also failed at the box office. Farina returned to television during the fall 2002 season with a lead role as a comically monstrous Meet the Parents-esque father-in-law on the sitcom The In-Laws (2002). Despite initially withering reviews, The In-Laws managed to show signs of ratings life.

From Wikipedia, the free encyclopedia


Exterior view (in 1909) of the storefront office of P. Schiavone & Son, bankers and steamship agents, located at 925 South Halsted Street.Little Italy is located in the Near West Side community area of the city of Chicago, Illinois. It encompasses a 12 block stretch of Taylor Street east of Ashland Avenue and the streets to the north and south for several blocks in each direction. The neighborhood lies between the Illinois Medical District to the west and the University of Illinois at Chicago to the east. It is a neighborhood of strongly Italian influence.

Little Italy never had a concentration of Italian-Americans that constituted a majority.[1] Other ethnicities have always been present in the area known as "Little Italy."[2] Nonetheless, the neighborhood was given its name due to the strong influence of Italians and Italian culture on the neighborhood throughout the 19th and 20th century.

Though the Italian population declined throughout the late 20th century, many Italian restaurants and groceries remain in the formerly prominent Taylor Street corridor.[3] The neighborhood also hosts the National Italian American Sports Hall of Fame as well as the historic Roman Catholic churches Our Lady of Pompeii, Notre Dame de Chicago, and Holy Family 1940s to present Italians began arriving in Chicago in the 1850s in small numbers. By 1880, there were 1,357 Italians in the city.[4] By the 1920s, Italian cookery became one of the most popular ethnic cuisines in America, spawning many successful bakeries and restaurants—some of which prospered for generations and continue to influence the Chicago dining scene today.[3] By 1927, Italians owned 500 grocery stores, 257 restaurants, 240 pastry shops, and numerous other food related businesses that were concentrated in the Italian neighborhoods.[3] One success story is that of the Gonnella Baking Company, Chicago’s largest producer of Italian bread and rolls.[5]

The immigration of Italians accelerated throughout the late 19th century and into the early 20th century. Chicago's foreign-born Italian population was 16,008 in 1900 and peaked at 73,960 in 1930.[4] The largest area of settlement was the Taylor Street area, but there were also 20 other significant Italian enclaves throughout the city and suburbs.


1940s to present
Following World War II, several developments hindered the cohesion of the community. The construction of the Eisenhower Expressway and the University of Illinois at Chicago Medical district forced many to move. The establishment of the Circle Campus of UIC in the 1960s by Mayor Richard J. Daley further dispersed the community. During the construction of the 100-acre UIC campus, 200 businesses and 800 homes were bulldozed in Little Italy, with 5,000 residents displaced.[6]

By the end of the 20th century, Little Italy was one of many formerly high-profile elements of the city’s geography that had become a mere shadow of itself.[7] Few long-time residents are left in the community. Census data for the Taylor Street Little Italy tract showed only 1,280 people reporting Italian as their primary ancestry in 1990. In 2000, the number was 1,018.[8] However, Chicago’s foodways continue to rely on their roots in the intimate neighborhood cuisines, including cuisine from the surviving Italian restaurants in the formerly prominent Taylor Street corridor.[3]


Recent gentrification
Rents in the area have risen in the past few decades due to an influx of condominiums, townhouses, and the proximity of Little Italy to UIC and the Loop. An example of this gentrification: in the 1990 census, no homes in the Little Italy sample area were reported to be worth more than $400,000. By contrast, according to the 2000 census, 62 homes were reportedly worth more than $500,000, and 13 of those were worth at least $1 million.[8].


Landmarks
Two of the more significant landmarks of Little Italy were the Catholic churches of Our Lady of Pompeii and Holy Guardian Angel founded by Mother Cabrini.[9] Holy Guardian Angel was the first Italian congregation in Chicago. The parish was established in 1898, and the church was built on Arthington Street in 1899. Due to the burgeoning population, a second major Italian church, Our Lady of Pompeii, was founded in 1911.[10] The Holy Guardian Angel Church was razed for the construction of the expressway system.[11] The Our Lady of Pompeii Church is now a the Shrine of Our Lady of Pompeii.

Hull House, Jane Addams' settlement house known for its social and educational programs was also located within the Little Italy area.

In recent years, the National Italian American Sports Hall of Fame (founded in 1977 in Elmwood Park, Illinois) was relocated to a new building in Little Italy.


Other "Little Italies" in Chicago

A three story apartment house and a one story dwelling in Little Hell in September 1902.Several other areas in Chicago had significant Italian populations aside from Taylor Street, which has popularly been known as Chicago's "Little Italy."


Little Sicily or "Little Hell"
In the 22nd Ward on the city's Near North Side, a Sicilian enclave known alternately as "Little Sicily" and "Little Hell" was established in an area formerly populated by Scandinavians.[12] It was considered the most colorful Italian neighborhood,[9] and was home to 20,000 Italians by 1920.[9] However, the neighborhood no longer exists today due to the construction of the Cabrini-Green public housing projects on the site during and after WWII. By the mid 1960s, the rising violent crime rate and other social problems that came as a result of the housing projects caused an exodus of many of the original inhabitants of the area.[12]


"Heart of Italy"
On the city's South Side, a community centered on 24th and Oakley called "Heart of Italy" or "Little Tuscany" is composed mostly of Northern Italian immigrants. This neighborhood is home to the yearly Festa Pasta Vino, an Italian food and wine festival that claims to be "Chicago’s largest celebration of Italian culture".[13]


References
^ a b Grinnell, Max. "Encyclopedia of Chicago "Little Italy"". Chicago Historical Society. Retrieved on 2007-02-07.
^ Binford, Henry C., "Multicentered Chicago", The Encyclopedia of Chicago, p. 548-9, Eds. Grossman, James R., Keating, Ann Durkin, and Reiff, Janice L., 2004, The University of Chicago Press, ISBN 0-226-31015-9
^ a b c d Poe, Tracy N., "Foodways", The Encyclopedia of Chicago, p. 308-9, Eds. Grossman, James R., Keating, Ann Durkin, and Reiff, Janice L., 2004, The University of Chicago Press, ISBN 0-226-31015-9
^ a b Vecoli, Rodolph J., "Italians", The Encyclopedia of Chicago, Eds. Grossman, James R., Keating, Ann Durkin, and Reiff, Janice L., 2004, The University of Chicago Press, ISBN 0-226-31015-9
^ Kraig, Bruce, "Food Processing", The Encyclopedia of Chicago, p. 304, Eds. Grossman, James R., Keating, Ann Durkin, and Reiff, Janice L., 2004, The University of Chicago Press, ISBN 0-226-31015-9
^ Leroux, Charles, "Cold Shoulder: UIC and its neighborhood are thriving but the two have yet to embrace", Chicago Tribune, September 25, 1991.
^ Binford, Henry C., "Multicentered Chicago", The Encyclopedia of Chicago, p. 552, Eds. Grossman, James R., Keating, Ann Durkin, and Reiff, Janice L., 2004, The University of Chicago Press, ISBN 0-226-31015-9
^ a b Paolini, Matthew and Craig Tiede, "Economic upswing in Little Italy comes with a price" Medill News Service. December 1, 2005.
^ a b c Candeloro, Dominic (2006). "[http://www.virtualitalia.com/ch/chicago_italians1.shtml chicago's italians immigrants, ethnics, achievers, 1850-1985 - part 1]". virtualitalia.com. Retrieved on 2007-04-19.
^ Candeloro, Dominic Lawrence Chicago's Italians: Immigrants, Ethnics, Americans p. 24
^ Candeloro, Dominic (2006). "[http://www.virtualitalia.com/ch/chicago_italians2.shtml chicago's italians immigrants, ethnics, achievers, 1850-1985 - part 2]". virtualitalia.com. Retrieved on 2007-04-19.
^ a b Seligman, Amanda, "Cabrini-Green", The Encyclopedia of Chicago, Eds. Grossman, James R., Keating, Ann Durkin, and Reiff, Janice L., 2004, The University of Chicago Press, ISBN 0-226-31015-9
^ "Chicago's Festa Pasta Vino". Retrieved on 2007-02-08.

From Wikipedia, the free encyclopedia

The Italian’s first came to Chicago in the late eighteen hundreds, first a slow trickle, then eventually a steady stream. When they arrived, those aliens from Italia settled into neighborhoods occupied by their fellow Europeans primarily on the Near North and Near West sides of the city.

Predominantly Roman Catholic, their primary goal was to connect with a church of their denomination. But where were the Italian Catholic churches? None were to be found. These early Italian settlers did not find compatibility with churches whose composition was Irish, Polish, German, Lithuanian, French, or Czech. They desired their own church. Finally, by the late 1870's, after expressing their desire to the Chicago hierarchy, an Italian Servite priest by the name of Sosteneus Moretti offered his time and energy to locating a site for a future church to serve the growing population of Chicago Italians. Eventually, in 1880, a parcel of land at 323 W. Illinois Street near Market Street North of the Chicago River was purchased. The following year, the basement foundation was completed. In 1883, the church services commenced there. Later it would serve as the church hall.

During the next several years, the Italians donated their nickels and dimes so the main church structure could rise above the existing foundation. In 1883, a rectory was added to the project and finally in 1886, the church rose above the foundation. On the feast of the Assumption, August 15, 1886, the Corinthian style architectural structure was dedicated appropriately as the Assumption Church, Chicago’s first Italian Catholic Church. The Italians called it “Assunta” and left no doubt in everyone’s mind this was “their church”. The first pastor was the same Fr. Moretti O.S.M. who spearheaded the effort six years earlier.

The church’s main exterior feature is the stately 78 foot high bell tower. Extensive use of stained glass windows are featured throughout the church. Above the main altar, a window portrays the Assumption of Our Lady with twenty three angels. Paintings, mosaics and murals also are very prominent including on the church ceiling. The altar rail contained five different types of Italian marble. Statues adorned the church on three sides and numbered a dozen.

Since Assumption was not only Chicago’s first Italian Catholic Church, and the only Italian church, it attracted Italians from not only the adjacent Near North neighborhood, but also from the other scattered “Little Italy’s” in Chicago. It soon became the center for a variety of Italian activities. The neighborhood surrounding the church was comprised mainly of Northern Italians, the first group to arrive in Chicago. They were immigrants from Genoa and Tuscany.

A parish school was founded in 1899 by the Italian Missionary Sisters of the Sacred Heart.

The Mother General of this order was no less than Francis Xavier Cabrini. Since land was not available adjacent to the church or rectory, space was purchased a short distance away, at 317 W. Erie Street. The school was overcrowded when it opened with 900 children. Mother Carbini also taught catechism every Sunday to 600 children who attended public schools.

The parish had a population of 20,000 Italian emigrants and their families. Seven Servite priests staffed Assumption to meet the spiritual needs of so many. At times, as many as 32 babies were baptized on a Sunday afternoon. The number of weddings and funerals grew to an astounding number. But as time passed, circumstances began to change at Assumption. The neighborhood began to become industrial and with it, a loss of parishioners. By 1945 the school, once bursting at the seams, closed it’s doors forever. But not once during the 46 years did it charge even one student tuition.

Today, 115 years later, the Assumption Church still stands as a pillar of spirituality for the Near North Side community, now called River North, though it no longer is an Italian church. Many decades ago, the original settlers died off and their descendants moved away. Now, the parish consists of a melting pot of generic nationalities, many of which are referred to as yuppies. Rather than a beacon of visibility in a poor neighborhood of homes and businesses, the church today is almost invisible in a canyon of glass, steel and concrete high rises virtually unnoticed in the shadow the grandiose Merchandise Mart. Despite it’s lack of prominence and the loss of it’s Italian identity, the spirit of Assumption remains in the minds, hearts and souls of countless Italian Americans.

By the way, those dedicated priests of the Servants of Mary.....they’re still there.

Some Mothers day poems to share..

We only have One Mom, One Mommy,
One Mother in this World, One life.
Don't wait for the Tomorrow's
to tell Mom, you love her"
~Author Unknown~
"To the world you might just be one person,
but to one person you might just be the world."
~Author Unknown~



WONDERFUL MOTHER

God made a wonderful mother,
A mother who never grows old;
He made her smile of the sunshine,
And He moulded her heart of pure gold;
In her eyes He placed bright shining stars,
In her cheeks fair roses you see;
God made a wonderful mother,
And He gave that dear mother to me.

~By Pat O'Reilly~



AND GRANDMA'S TOO...

"While we honor all our mothers
with words of love and praise.
While we tell about their goodness
and their kind and loving ways.
We should also think of Grandma,
she's a mother too, you see....
For she mothered my dear mother
as my mother mothers me."

~Author Unknown~



MOTHER'S LOVE

Her love is like
an island in life's ocean,
vast and wide

A peaceful, quiet shelter
From the wind, the rain, the tide.
'Tis bound on the north by Hope,
By Patience on the West,
By tender Counsel on the South
And on the East by Rest.

Above it like a beacon light
Shine Faith, and Truth, and Prayer;
And thro' the changing scenes of life
I find a haven there.

~Author Unknown~



MORE THAN A MOTHER

When God set the world in place,
when He hung the stars up in space,
when He made the land and the sea,
then He made you and me.

He sat back and saw all that was good,
He saw things to be as they should.
Just one more blessing He had in store;
He created a mother, but whatever for?

He knew a mother would have a special place
to shine His reflection on her child's face.
A mother will walk the extra mile
just to see her children smile.
She'll work her fingers to the bone
to make a house into a home.

A mother is there to teach and guide,
a mother will stay right by your side.
She'll be there through your pain and strife,
she'll stay constant in your life.

A mother will lend a helping hand
until you have the strength to stand.
She'll pick you up when you are down,
when you need a friend she'll stick around.

A mother is one who listens well,
will keep her word; will never tell.

A mother never pokes or pries
but stands quietly by your side,
giving you the strength you need,
encouraging you to succeed.

A mother is one who can be strong
when you need someone to lean on.

You're more than a mother to me;
a reflection of Him in your face I see,
a love that knows no boundaries.

I'm glad that you chose to be
all this and more to me.
You share a love that knows no end,
you're more than my mother,
you are my friend.

~By Kari Keshmiry~



A POEM FOR MY MOTHER

I miss you so much,
your laugh, your smile, your touch.
You always brightened my days
with all the smiles you sent my way.
I need you as my angel
to always be at my side.
I need you as my angel
to give me peace of mind.
I like to think your near to me
to know that you are there.
Even though I can not see you,
I feel that you are near.
Please do not forget me mom,
for you are always in my heart,
my thoughts and prayers.
I love you.

~By Shari M. Blom~



M-O-T-H-E-R

"M" is for the million things she gave me,
"O" means only that she's growing old,
"T" is for the tears she shed to save me,
"H" is for her heart of purest gold;
"E" is for her eyes, with love-light shining,
"R" means right, and right she'll always be,

Put them all together, they spell "MOTHER,"

A word that means the world to me.

~By Howard Johnson~

He has crooned many a Mobster

A tireless showman and an underrated musical talent, Louis Prima swung his way to icon status thanks to an irresistible, infectious sound whose appeal translated across generations. Nominally a swing artist, Prima's distinctive sound also encompassed New Orleans-style jazz, boogie-woogie, jump blues, R&B, early rock & roll, and even the occasional Italian tarantella. Regardless of what form his music took, it swung hard and fast, with a rolling, up-tempo shuffle beat that helped some of his earlier material cross over to R&B audiences (his songs were also covered by jump blues artists from time to time). His greatest period of popularity coincided with his marriage to singer Keely Smith, whose coolly sophisticated vocals and detached stage manner made a perfect counterpoint to Prima's boisterous presence: mugging, clowning, and cavorting around the stage with the boundless enthusiasm of a hyperactive boy. Prima's band during this time was anchored by tenor saxophonist Sam Butera, whose grounding in jump blues and New Orleans R&B was a perfect match. Perhaps because Prima refused to take his music too seriously, sober-minded jazz critics often dismissed him as a mere entertainer, overlooking his very real talent as a jazzman. He was a capable, gravelly-voiced singer modeled on Louis Armstrong, boasting a surprising range, and was also a fine trumpet player, again in the irrepressible mold of Armstrong; what was more, he wrote Benny Goodman's perennial swing smash "Sing, Sing, Sing." Prima's impact on popular culture was also significant; his pronounced ethnicity made it safe for other Italian-American singers to acknowledge their roots, and he was the first high-profile musical act to take up regular residence in the lounges and casinos of Las Vegas, helping to start the city's transformation into a broader-based entertainment capital. His musical legacy proved long-lasting, as covers of his classics became modern-day hits for David Lee Roth and Brian Setzer; additionally, the '90s swing revival, which sought to re-emphasize the danceability and sense of fun that had largely disappeared from jazz, brought Prima's music back into the limelight (as well as the good graces of critics).

Louis Prima was born December 7, 1911 in New Orleans, LA, to an Italian family who'd emigrated to the U.S. by way of Argentina. He took violin lessons as a youth, but switched to trumpet at age 15 when his older brother went out on tour with a band and left a spare instrument behind. By 17, Prima was playing professionally at a New Orleans theater, influenced chiefly by Louis Armstrong and King Oliver. This was a problem, since the theater was not a jazz venue, and Prima was fired. In the early '30s, he caught on with cornetist Red Nichols for a time, and moved to New York in 1934 at the urging of star bandleader Guy Lombardo, who had been impressed with Prima's trumpet playing. Initially struggling to find work, Prima formed a Dixieland-style backing group called the New Orleans Gang and landed a regular gig at a 52nd Street club known as the Famous Door. The band was a hit, adopting "Way Down Yonder in New Orleans" as their signature song, and recorded numerous sides for a succession of labels up through 1939; some of the better-known members included -- at various points -- clarinetist Pee Wee Russell, pianist Claude Thornhill, guitarist George Van Eps, reedman Eddie Miller, and trombonist George Brunies. Prima also traveled to Los Angeles periodically, and made cameo appearances in several Hollywood musicals, starting with the Bing Crosby Western Rhythm on the Range in 1936.

Meanwhile, Prima was composing original material, and in 1937 he completed a song called "Sing, Sing, Sing." Benny Goodman recorded an instrumental version and had a huge smash with it the following year, spotlighting it in his legendary Carnegie Hall appearance; to this day it remains one of the most readily identifiable melodies of the swing era. Prima broke up the New Orleans Gang in 1939 to form his own big band, which he dubbed the Gleeby Rhythm Orchestra. Following World War II, the band started to take off, landing hits with novelty numbers that often drew upon Prima's Italian background and accent. The first was 1944's "Angelina," a major success that paved the way for titles like "Felicia No Capicia," "Bacciagaloop (Makes Love on the Stoop)," "Please No Squeeza Da Banana," and "Josephina, Please No Leana on the Bell." Prima also made the Hit Parade Top Ten with songs like "Robin Hood" (1944; covered the next year by Les Brown for a bigger hit), "Bell Bottom Trousers" (sung by Lily Ann Carol in 1945), and "Civilization (Bongo, Bongo, Bongo)" (1947). He also wrote Jo Stafford's 1947 hit "A Sunday Kind of Love."}

In 1948, Prima hired a new female vocalist for his band, a 16-year-old Norfolk, Virginia native named Dorothy Keely, who was renamed Keely Smith. Prima parlayed her initial shyness into a stage routine where he attempted to break down her icily reserved façade. The contrast in their styles made for immediate chemistry, and Smith's boyish haircut only added to the duo's distinctive stage presence. Prima broke up the big band in 1949, and continued to work with Smith as a more streamlined nightclub act. They scored a hit in 1950 with their co-composition "Oh Babe!" and toured the country over the next few years. In the summer of 1953, Smith became Prima's fourth wife.

By late 1954, Prima was finding bookings harder and harder to come by. He talked a friend into booking him for an extended stay at the Sahara Hotel in Las Vegas, and while passing through New Orleans, he recruited locally popular tenor saxophonist Sam Butera as a possible collaborator if things went well. They did, and Prima called Butera out to Vegas, asking him to bring a few more musicians; the new group debuted at the Sahara on the day after Christmas, and Butera dubbed them the Witnesses during Prima's first on-stage introduction. Their act quickly became a sensation around Las Vegas, and their engagement turned into a residency, billed as "The Wildest Show in Vegas," which ran up to five times a night. Prima and Smith's comic banter was riddled with sexual innuendo, and they sometimes rewrote the lyrics to popular standards in the same spirit; meanwhile, Butera's jump blues/R&B background kept the music equally lively. Even if the music was aimed at older listeners, it shared a great deal of the spirit of early rock & roll.

In 1956, Prima inked a new deal with Capitol, which marked the beginning of the most celebrated and influential period of his recording career. His first album for the label was 1956's The Wildest!, which successfully translated the high energy of his live act into a studio recording; it featured many of his best-known latter-day songs, including the "Just a Gigolo/I Ain't Got Nobody" medley, "Jump, Jive an' Wail," "Buona Sera," "Oh Marie," and the jive-talking duet "The Lip." Over the next few years, Capitol issued six more Prima albums, highlighted by 1957's The Call of the Wildest and 1958's concert set The Wildest Show in Tahoe. He appeared frequently on The Ed Sullivan Show and other variety programs, and in 1958 he and Smith won a Grammy for their hit version of "That Old Black Magic." In 1959, they appeared in the film Hey Boy! Hey Girl!, which featured their renditions of the title song, "Lazy River," and "Banana Split for My Baby," among others.

While Prima and Smith boasted terrific chemistry on stage, their infidelity-riddled marriage was floundering by the close of the '50s. In 1961, Prima switched from Capitol to Dot Records, and from the Sahara Hotel to the Desert Inn; with his popularity still running high, both deals netted huge sums of money. However, Smith divorced him later that year, scuttling the act and largely negating the deals. Prima returned to Capitol for one final album, 1962's The Wildest Comes Home, and hired a new female vocalist, Gia Maione, who became his fifth wife in 1963. Without Smith, he was never again as popular or prolific on record, but he continued to perform in Las Vegas with Butera and the Witnesses, and toured successfully as well. In 1967, Disney tapped Prima to voice the character of King Louie, ruler of the orangutans, in its animated adaptation of The Jungle Book; his featured number, the swinging "I Wanna Be Like You," ranks among the best-loved Disney songs of its era.

Prima spent much of the late '60s and early '70s playing Vegas casinos and lounges, most notably at the Sands Hotel. With more and more musical acts taking up residence in the city, Prima no longer had the drawing power of old, and in the early '70s he and Butera returned home to New Orleans, where they made a steadier living playing in the French Quarter for the tourist crowd. In late 1975, Prima underwent surgery to remove a brain tumor, and fell into a coma; although he survived for nearly three more years, he never regained consciousness, and died on August 24, 1978. Prima's music began to reappear in subsequent years; ex-Van Halen singer David Lee Roth scored the best-remembered hit of his solo career with a carbon-copy version of "Just a Gigolo/I Ain't Got Nobody" in 1985, and onetime Stray Cat Brian Setzer scored a Grammy-winning hit with his cover of "Jump, Jive an' Wail." Prima's original version was featured in a Gap commercial around the same time, and the swing-dancing fad of the time helped bring the rest of his music back into the public eye. Meanwhile, Sam Butera continued to perform Prima hits from the golden years on the casino circuits in Las Vegas and Atlantic City

A Brief Musical History

1969: After forming a band which would be known a “TW4” a few years prior, neighbors Dennis DeYoung and brothers Chuck and John Panozzo enroll at Chicago State University. Although the band had already performed in, and around, the Chicago area, C.S.U. would become the group’s base. The trio hooks up with another student, John Curulewski, who takes over the helm on guitar.
1970: Guitarists James “JY” Young- who was performing with a rival band in Chicago-joins the quartet. The new line-up begins taking a different direction with more musical experiments, with classical/rock fusions and electronic trickeries.
1971: The band’s demo is heard by the Wooden Nickel label, who would subsequently offer the band a recording contract the following year.
1972: The band is renamed STYX after a mythological river if the dead-a decision made by the band members. STYX I is released. The single, “Best Thing” (written by DeYoung and “JY”), reaches the Top 100 on the charts by the end of the year.
1973: STYX II is released, and although it doesn’t chart immediately, the Dennis DeYoung penned ballad, “Lady”, gets considerable airplay on Chicago radio. The band concentrates on their touring efforts in support of the single’s success, and creates a vast following of fans. The band will release The Serpent Is Rising toward the end of the year.
1974: The Serpent is Rising cracks the Top 200 Albums Chart in February, followed up by Man of Miracles, which reaches even higher position in November. “Lady” would be re-released as a single with national promotion, and the song would be propelled to #6 on the U.S. charts.
1975: STYX II rockets up the charts as a result of the success of “Lady.” It would reach #20, and sell over 500,000 units. In September, after searching for a larger and more supportive label, STYX would sign with powerhouse A&M Records. Two months later, Equinox, featuring the single “Lorelei”-would be the first A&M release, immediately reaching gold status (and eventually going platinum). At the end of the year, guitarist John Curulewski would leave the band. The band’s road manager recommends 23-year-old Tommy Shaw-then guitarist for Chicago based band “MS Funk”-as a replacement. A week after auditioning, Tommy Shaw joined the band.

1977: On July 7th (7/7/77), the band released The Grand Illusion.
1978: In January, A&M Records releases the single “Come Sail Away,” which would enter the Top 10. The parent album, The Grand Illusion, hits #6 as a result of the single’s success, and eventually becomes the first album from STYX to go platinum. The singles, “Fooling Yourself (The Angry Young Man),” and “Miss America” contribute to the success of the album. Later in the year, the band would follow up with another platinum-selling album (reaching #6) titled, Pieces of Eight, featuring the hit singles, “Blue Collar Man (Long Nights),” “Renegade,” and “Sing for the Day.”
1979: A national Gallup poll would reveal that STYX is the most popular rock band with teenagers (13-19 year olds). By December, the band’s newest album release, Cornerstone, would hit #2 on the U.S. charts, earning the band it’s third consecutive platinum album. The singles, “Babe” (reaching #1 on the charts and becoming their highest-selling single of their career), “Why Me,” and “Borrowed Time” generate mass sales.
1981: Beginning early in the year, STYX would embark on an ambitious 110 date, six-month North American tour. In April, the album Paradise Theatre would be released, soon reaching platinum success (STYX would now have four consecutive platinum albums under their belt), and remaining at #1 on the U.S. charts for three weeks. Two hit singles-“The Best of Times” and “Too Much Time on My Hands”-reach #3 and #9, respectively, on the U.S. charts. The band would become the first in the history of rock ‘n’ roll to have four consecutive triple-platinum albums.
1983: STYX releases concept album, Kilroy Was Here, and will tour in support of it most of the year. A stage act is built around the album, in which costumed band members have roles and dialogue in addition to performing songs. It would become one of the most ambitious rock ‘n’ roll tours ever. The single “Mr. Roboto,” reaches #3, and becomes the second million-selling single in the band’s history (“Babe” being the first). Another single, “Don’t Let It End,” also goes Top 10.
1984: The band releases a double live album titled, Caught in the Act. Although the album is well received by the record buying public, both Dennis DeYoung and Tommy Shaw decide to pursue solo projects (also on A&M records). Subsequently, the band is put on hold. Dennis DeYoung’s Desert Moon and Tommy Shaw’s Girls With Guns both enter top 50.
1985: In December, Tommy Shaw releases What If, which enters the Top 100, and spawns a single, “Ever Since the World Began.”
1986: Dennis DeYoung releases second solo album, Back to the World, and will also contribute a single (not from album), “This Is the Time,” to the movie, “The Karate Kid Part II.” James Young released his first solo effort, City Slicker, a collaboration with Jan Hammer.
1988: Dennis DeYoung releases another solo album, entitled Bloomchild (on MCA)
1990: Tommy Shaw forms a new band, Damn Yankees, with former Night Ranger vocalist/bassist Jack Blades, guitar virtuoso Ted Nugent, and drummer Michael Cartellone. The self-titled debut album will produce two hit singles, “High Enough” and “Coming of Age,” and will eventually sell over 2 million copies on Warner Bros. Records. The band tours extensively with Bad Company, and the album reaches #26. Toward the end of the year, STYX will reunite without Shaw (replaced by Glen Burtnik), and will release the album, Edge of the Century, which begins to garner acclaim.
1991: A single from Edge of the Century titled, “Show Me the Way,” begins chart ascension into the Top 10 during the Gulf War. With the success of the single, STYX joins an elite group of acts who have had Top 10 hits under each of the last four United States Presidents (and Top 10 hits in three different decades).
1992: Damn Yankees release their second effort, Don’t Tread, on Warner Bros. Records. The album, which features the singles “ Don’t Tread” and “Where Are You Goin’ Now?, would eventually reach platinum status. The video for the title track would be aired throughout the 1992 Olympics.
1994: In addition to playing the roll of Pontius Pilate in the national company of Jesus Christ Superstar (to rave reviews), Dennis DeYoung cuts an album of show tunes for Atlantic Records entitled 10 on Broadway.
1995: STYX release Greatest Hits: Volume 1, featuring a re-recorded version of “Lady” with Tommy Shaw (who had not yet joined the band when it was originally recorded). Tommy Shaw and Jack Blades release an album, Hallucination, as Shaw*Blades (Warner Bros. Records). The album would be co-produced by Don Gehman of REM/John Mellencamp fame. James Young forms the James Young Group, with other Chicago musicians and tours in support of their album, Raised by Wolves (Absolute/Whitehouse).
1996: In May, the classic (and most successful) line-up returns with “The Return to the Paradise Theatre” tour, which was seen in over 50 cities. Greatest Hits: Volume II was released in the summer featuring a few new songs. For the first time in thirteen years, Dennis DeYoung, James Young, Tommy Shaw, and Chuck Panozzo were “Rockin’ The Paradise.” Again…
1997: In May, CMC International Records, a division of BMG Entertainment, releases a double album of new studio tracks plus live recording of Greatest Hits from the ’96 tour, appropriately titled, Return to Paradise. Due to popular demand, STYX embarks on a 50-city North American tour in support of the release.
1998: Tommy Shaw releases a solo album in CMC, 7 Deadly Zens and hits the road opening shows for Lynyrd Skynyrd. Dennis DeYoung returns to his theatrical calling as his “Hunchback of Notre Dame” enjoys a successful run in Nashville. The band starts making plans for a new studio album-the classic line-up’s first in 16 years.
1999: The band goes in to the studio in Chicago and Los Angeles to record Brave New World which is released on June 29th. A tour begins in July, which will run through the end of the year.
2000: The band embarks on a 40 city co-headline tour with REO Speedwagon. The tour is so successful that the two bands record and release a double live album and DVD, “Arch Allies – Live at Riverport”. They then extend the tour (to date, Styx and REO have played over 90 shows together, consistently generating hugely successful box office numbers.)
2001: Styxworld Live 2001 is released, containing tracks recorded in Canada, Japan and Germany. The band continues its heavy touring schedule, playing 121 shows, including a 40 city tour with Bad Company that donates over $100,000 to the Rock and Roll Hall of Fame’s Education Fund, marking the first time in history that the Rock Hall attaches its name to a tour.
2002: Styx plays over 90 shows and records a new studio album, set for release in the winter of 2003.
2003: Styx releases Cyclorama on February 18, 2003. The band tours extensively throughout the year in support of the record.