Chicago Italians

The Italian’s first came to Chicago in the late eighteen hundreds, first a slow trickle, then eventually a steady stream. When they arrived, those aliens from Italia settled into neighborhoods occupied by their fellow Europeans primarily on the Near North and Near West sides of the city.

Predominantly Roman Catholic, their primary goal was to connect with a church of their denomination. But where were the Italian Catholic churches? None were to be found. These early Italian settlers did not find compatibility with churches whose composition was Irish, Polish, German, Lithuanian, French, or Czech. They desired their own church. Finally, by the late 1870's, after expressing their desire to the Chicago hierarchy, an Italian Servite priest by the name of Sosteneus Moretti offered his time and energy to locating a site for a future church to serve the growing population of Chicago Italians. Eventually, in 1880, a parcel of land at 323 W. Illinois Street near Market Street North of the Chicago River was purchased. The following year, the basement foundation was completed. In 1883, the church services commenced there. Later it would serve as the church hall.

During the next several years, the Italians donated their nickels and dimes so the main church structure could rise above the existing foundation. In 1883, a rectory was added to the project and finally in 1886, the church rose above the foundation. On the feast of the Assumption, August 15, 1886, the Corinthian style architectural structure was dedicated appropriately as the Assumption Church, Chicago’s first Italian Catholic Church. The Italians called it “Assunta” and left no doubt in everyone’s mind this was “their church”. The first pastor was the same Fr. Moretti O.S.M. who spearheaded the effort six years earlier.

The church’s main exterior feature is the stately 78 foot high bell tower. Extensive use of stained glass windows are featured throughout the church. Above the main altar, a window portrays the Assumption of Our Lady with twenty three angels. Paintings, mosaics and murals also are very prominent including on the church ceiling. The altar rail contained five different types of Italian marble. Statues adorned the church on three sides and numbered a dozen.

Since Assumption was not only Chicago’s first Italian Catholic Church, and the only Italian church, it attracted Italians from not only the adjacent Near North neighborhood, but also from the other scattered “Little Italy’s” in Chicago. It soon became the center for a variety of Italian activities. The neighborhood surrounding the church was comprised mainly of Northern Italians, the first group to arrive in Chicago. They were immigrants from Genoa and Tuscany.

A parish school was founded in 1899 by the Italian Missionary Sisters of the Sacred Heart.

The Mother General of this order was no less than Francis Xavier Cabrini. Since land was not available adjacent to the church or rectory, space was purchased a short distance away, at 317 W. Erie Street. The school was overcrowded when it opened with 900 children. Mother Carbini also taught catechism every Sunday to 600 children who attended public schools.

The parish had a population of 20,000 Italian emigrants and their families. Seven Servite priests staffed Assumption to meet the spiritual needs of so many. At times, as many as 32 babies were baptized on a Sunday afternoon. The number of weddings and funerals grew to an astounding number. But as time passed, circumstances began to change at Assumption. The neighborhood began to become industrial and with it, a loss of parishioners. By 1945 the school, once bursting at the seams, closed it’s doors forever. But not once during the 46 years did it charge even one student tuition.

Today, 115 years later, the Assumption Church still stands as a pillar of spirituality for the Near North Side community, now called River North, though it no longer is an Italian church. Many decades ago, the original settlers died off and their descendants moved away. Now, the parish consists of a melting pot of generic nationalities, many of which are referred to as yuppies. Rather than a beacon of visibility in a poor neighborhood of homes and businesses, the church today is almost invisible in a canyon of glass, steel and concrete high rises virtually unnoticed in the shadow the grandiose Merchandise Mart. Despite it’s lack of prominence and the loss of it’s Italian identity, the spirit of Assumption remains in the minds, hearts and souls of countless Italian Americans.

By the way, those dedicated priests of the Servants of Mary.....they’re still there.

Some Mothers day poems to share..

We only have One Mom, One Mommy,
One Mother in this World, One life.
Don't wait for the Tomorrow's
to tell Mom, you love her"
~Author Unknown~
"To the world you might just be one person,
but to one person you might just be the world."
~Author Unknown~



WONDERFUL MOTHER

God made a wonderful mother,
A mother who never grows old;
He made her smile of the sunshine,
And He moulded her heart of pure gold;
In her eyes He placed bright shining stars,
In her cheeks fair roses you see;
God made a wonderful mother,
And He gave that dear mother to me.

~By Pat O'Reilly~



AND GRANDMA'S TOO...

"While we honor all our mothers
with words of love and praise.
While we tell about their goodness
and their kind and loving ways.
We should also think of Grandma,
she's a mother too, you see....
For she mothered my dear mother
as my mother mothers me."

~Author Unknown~



MOTHER'S LOVE

Her love is like
an island in life's ocean,
vast and wide

A peaceful, quiet shelter
From the wind, the rain, the tide.
'Tis bound on the north by Hope,
By Patience on the West,
By tender Counsel on the South
And on the East by Rest.

Above it like a beacon light
Shine Faith, and Truth, and Prayer;
And thro' the changing scenes of life
I find a haven there.

~Author Unknown~



MORE THAN A MOTHER

When God set the world in place,
when He hung the stars up in space,
when He made the land and the sea,
then He made you and me.

He sat back and saw all that was good,
He saw things to be as they should.
Just one more blessing He had in store;
He created a mother, but whatever for?

He knew a mother would have a special place
to shine His reflection on her child's face.
A mother will walk the extra mile
just to see her children smile.
She'll work her fingers to the bone
to make a house into a home.

A mother is there to teach and guide,
a mother will stay right by your side.
She'll be there through your pain and strife,
she'll stay constant in your life.

A mother will lend a helping hand
until you have the strength to stand.
She'll pick you up when you are down,
when you need a friend she'll stick around.

A mother is one who listens well,
will keep her word; will never tell.

A mother never pokes or pries
but stands quietly by your side,
giving you the strength you need,
encouraging you to succeed.

A mother is one who can be strong
when you need someone to lean on.

You're more than a mother to me;
a reflection of Him in your face I see,
a love that knows no boundaries.

I'm glad that you chose to be
all this and more to me.
You share a love that knows no end,
you're more than my mother,
you are my friend.

~By Kari Keshmiry~



A POEM FOR MY MOTHER

I miss you so much,
your laugh, your smile, your touch.
You always brightened my days
with all the smiles you sent my way.
I need you as my angel
to always be at my side.
I need you as my angel
to give me peace of mind.
I like to think your near to me
to know that you are there.
Even though I can not see you,
I feel that you are near.
Please do not forget me mom,
for you are always in my heart,
my thoughts and prayers.
I love you.

~By Shari M. Blom~



M-O-T-H-E-R

"M" is for the million things she gave me,
"O" means only that she's growing old,
"T" is for the tears she shed to save me,
"H" is for her heart of purest gold;
"E" is for her eyes, with love-light shining,
"R" means right, and right she'll always be,

Put them all together, they spell "MOTHER,"

A word that means the world to me.

~By Howard Johnson~

He has crooned many a Mobster

A tireless showman and an underrated musical talent, Louis Prima swung his way to icon status thanks to an irresistible, infectious sound whose appeal translated across generations. Nominally a swing artist, Prima's distinctive sound also encompassed New Orleans-style jazz, boogie-woogie, jump blues, R&B, early rock & roll, and even the occasional Italian tarantella. Regardless of what form his music took, it swung hard and fast, with a rolling, up-tempo shuffle beat that helped some of his earlier material cross over to R&B audiences (his songs were also covered by jump blues artists from time to time). His greatest period of popularity coincided with his marriage to singer Keely Smith, whose coolly sophisticated vocals and detached stage manner made a perfect counterpoint to Prima's boisterous presence: mugging, clowning, and cavorting around the stage with the boundless enthusiasm of a hyperactive boy. Prima's band during this time was anchored by tenor saxophonist Sam Butera, whose grounding in jump blues and New Orleans R&B was a perfect match. Perhaps because Prima refused to take his music too seriously, sober-minded jazz critics often dismissed him as a mere entertainer, overlooking his very real talent as a jazzman. He was a capable, gravelly-voiced singer modeled on Louis Armstrong, boasting a surprising range, and was also a fine trumpet player, again in the irrepressible mold of Armstrong; what was more, he wrote Benny Goodman's perennial swing smash "Sing, Sing, Sing." Prima's impact on popular culture was also significant; his pronounced ethnicity made it safe for other Italian-American singers to acknowledge their roots, and he was the first high-profile musical act to take up regular residence in the lounges and casinos of Las Vegas, helping to start the city's transformation into a broader-based entertainment capital. His musical legacy proved long-lasting, as covers of his classics became modern-day hits for David Lee Roth and Brian Setzer; additionally, the '90s swing revival, which sought to re-emphasize the danceability and sense of fun that had largely disappeared from jazz, brought Prima's music back into the limelight (as well as the good graces of critics).

Louis Prima was born December 7, 1911 in New Orleans, LA, to an Italian family who'd emigrated to the U.S. by way of Argentina. He took violin lessons as a youth, but switched to trumpet at age 15 when his older brother went out on tour with a band and left a spare instrument behind. By 17, Prima was playing professionally at a New Orleans theater, influenced chiefly by Louis Armstrong and King Oliver. This was a problem, since the theater was not a jazz venue, and Prima was fired. In the early '30s, he caught on with cornetist Red Nichols for a time, and moved to New York in 1934 at the urging of star bandleader Guy Lombardo, who had been impressed with Prima's trumpet playing. Initially struggling to find work, Prima formed a Dixieland-style backing group called the New Orleans Gang and landed a regular gig at a 52nd Street club known as the Famous Door. The band was a hit, adopting "Way Down Yonder in New Orleans" as their signature song, and recorded numerous sides for a succession of labels up through 1939; some of the better-known members included -- at various points -- clarinetist Pee Wee Russell, pianist Claude Thornhill, guitarist George Van Eps, reedman Eddie Miller, and trombonist George Brunies. Prima also traveled to Los Angeles periodically, and made cameo appearances in several Hollywood musicals, starting with the Bing Crosby Western Rhythm on the Range in 1936.

Meanwhile, Prima was composing original material, and in 1937 he completed a song called "Sing, Sing, Sing." Benny Goodman recorded an instrumental version and had a huge smash with it the following year, spotlighting it in his legendary Carnegie Hall appearance; to this day it remains one of the most readily identifiable melodies of the swing era. Prima broke up the New Orleans Gang in 1939 to form his own big band, which he dubbed the Gleeby Rhythm Orchestra. Following World War II, the band started to take off, landing hits with novelty numbers that often drew upon Prima's Italian background and accent. The first was 1944's "Angelina," a major success that paved the way for titles like "Felicia No Capicia," "Bacciagaloop (Makes Love on the Stoop)," "Please No Squeeza Da Banana," and "Josephina, Please No Leana on the Bell." Prima also made the Hit Parade Top Ten with songs like "Robin Hood" (1944; covered the next year by Les Brown for a bigger hit), "Bell Bottom Trousers" (sung by Lily Ann Carol in 1945), and "Civilization (Bongo, Bongo, Bongo)" (1947). He also wrote Jo Stafford's 1947 hit "A Sunday Kind of Love."}

In 1948, Prima hired a new female vocalist for his band, a 16-year-old Norfolk, Virginia native named Dorothy Keely, who was renamed Keely Smith. Prima parlayed her initial shyness into a stage routine where he attempted to break down her icily reserved façade. The contrast in their styles made for immediate chemistry, and Smith's boyish haircut only added to the duo's distinctive stage presence. Prima broke up the big band in 1949, and continued to work with Smith as a more streamlined nightclub act. They scored a hit in 1950 with their co-composition "Oh Babe!" and toured the country over the next few years. In the summer of 1953, Smith became Prima's fourth wife.

By late 1954, Prima was finding bookings harder and harder to come by. He talked a friend into booking him for an extended stay at the Sahara Hotel in Las Vegas, and while passing through New Orleans, he recruited locally popular tenor saxophonist Sam Butera as a possible collaborator if things went well. They did, and Prima called Butera out to Vegas, asking him to bring a few more musicians; the new group debuted at the Sahara on the day after Christmas, and Butera dubbed them the Witnesses during Prima's first on-stage introduction. Their act quickly became a sensation around Las Vegas, and their engagement turned into a residency, billed as "The Wildest Show in Vegas," which ran up to five times a night. Prima and Smith's comic banter was riddled with sexual innuendo, and they sometimes rewrote the lyrics to popular standards in the same spirit; meanwhile, Butera's jump blues/R&B background kept the music equally lively. Even if the music was aimed at older listeners, it shared a great deal of the spirit of early rock & roll.

In 1956, Prima inked a new deal with Capitol, which marked the beginning of the most celebrated and influential period of his recording career. His first album for the label was 1956's The Wildest!, which successfully translated the high energy of his live act into a studio recording; it featured many of his best-known latter-day songs, including the "Just a Gigolo/I Ain't Got Nobody" medley, "Jump, Jive an' Wail," "Buona Sera," "Oh Marie," and the jive-talking duet "The Lip." Over the next few years, Capitol issued six more Prima albums, highlighted by 1957's The Call of the Wildest and 1958's concert set The Wildest Show in Tahoe. He appeared frequently on The Ed Sullivan Show and other variety programs, and in 1958 he and Smith won a Grammy for their hit version of "That Old Black Magic." In 1959, they appeared in the film Hey Boy! Hey Girl!, which featured their renditions of the title song, "Lazy River," and "Banana Split for My Baby," among others.

While Prima and Smith boasted terrific chemistry on stage, their infidelity-riddled marriage was floundering by the close of the '50s. In 1961, Prima switched from Capitol to Dot Records, and from the Sahara Hotel to the Desert Inn; with his popularity still running high, both deals netted huge sums of money. However, Smith divorced him later that year, scuttling the act and largely negating the deals. Prima returned to Capitol for one final album, 1962's The Wildest Comes Home, and hired a new female vocalist, Gia Maione, who became his fifth wife in 1963. Without Smith, he was never again as popular or prolific on record, but he continued to perform in Las Vegas with Butera and the Witnesses, and toured successfully as well. In 1967, Disney tapped Prima to voice the character of King Louie, ruler of the orangutans, in its animated adaptation of The Jungle Book; his featured number, the swinging "I Wanna Be Like You," ranks among the best-loved Disney songs of its era.

Prima spent much of the late '60s and early '70s playing Vegas casinos and lounges, most notably at the Sands Hotel. With more and more musical acts taking up residence in the city, Prima no longer had the drawing power of old, and in the early '70s he and Butera returned home to New Orleans, where they made a steadier living playing in the French Quarter for the tourist crowd. In late 1975, Prima underwent surgery to remove a brain tumor, and fell into a coma; although he survived for nearly three more years, he never regained consciousness, and died on August 24, 1978. Prima's music began to reappear in subsequent years; ex-Van Halen singer David Lee Roth scored the best-remembered hit of his solo career with a carbon-copy version of "Just a Gigolo/I Ain't Got Nobody" in 1985, and onetime Stray Cat Brian Setzer scored a Grammy-winning hit with his cover of "Jump, Jive an' Wail." Prima's original version was featured in a Gap commercial around the same time, and the swing-dancing fad of the time helped bring the rest of his music back into the public eye. Meanwhile, Sam Butera continued to perform Prima hits from the golden years on the casino circuits in Las Vegas and Atlantic City

A Brief Musical History

1969: After forming a band which would be known a “TW4” a few years prior, neighbors Dennis DeYoung and brothers Chuck and John Panozzo enroll at Chicago State University. Although the band had already performed in, and around, the Chicago area, C.S.U. would become the group’s base. The trio hooks up with another student, John Curulewski, who takes over the helm on guitar.
1970: Guitarists James “JY” Young- who was performing with a rival band in Chicago-joins the quartet. The new line-up begins taking a different direction with more musical experiments, with classical/rock fusions and electronic trickeries.
1971: The band’s demo is heard by the Wooden Nickel label, who would subsequently offer the band a recording contract the following year.
1972: The band is renamed STYX after a mythological river if the dead-a decision made by the band members. STYX I is released. The single, “Best Thing” (written by DeYoung and “JY”), reaches the Top 100 on the charts by the end of the year.
1973: STYX II is released, and although it doesn’t chart immediately, the Dennis DeYoung penned ballad, “Lady”, gets considerable airplay on Chicago radio. The band concentrates on their touring efforts in support of the single’s success, and creates a vast following of fans. The band will release The Serpent Is Rising toward the end of the year.
1974: The Serpent is Rising cracks the Top 200 Albums Chart in February, followed up by Man of Miracles, which reaches even higher position in November. “Lady” would be re-released as a single with national promotion, and the song would be propelled to #6 on the U.S. charts.
1975: STYX II rockets up the charts as a result of the success of “Lady.” It would reach #20, and sell over 500,000 units. In September, after searching for a larger and more supportive label, STYX would sign with powerhouse A&M Records. Two months later, Equinox, featuring the single “Lorelei”-would be the first A&M release, immediately reaching gold status (and eventually going platinum). At the end of the year, guitarist John Curulewski would leave the band. The band’s road manager recommends 23-year-old Tommy Shaw-then guitarist for Chicago based band “MS Funk”-as a replacement. A week after auditioning, Tommy Shaw joined the band.

1977: On July 7th (7/7/77), the band released The Grand Illusion.
1978: In January, A&M Records releases the single “Come Sail Away,” which would enter the Top 10. The parent album, The Grand Illusion, hits #6 as a result of the single’s success, and eventually becomes the first album from STYX to go platinum. The singles, “Fooling Yourself (The Angry Young Man),” and “Miss America” contribute to the success of the album. Later in the year, the band would follow up with another platinum-selling album (reaching #6) titled, Pieces of Eight, featuring the hit singles, “Blue Collar Man (Long Nights),” “Renegade,” and “Sing for the Day.”
1979: A national Gallup poll would reveal that STYX is the most popular rock band with teenagers (13-19 year olds). By December, the band’s newest album release, Cornerstone, would hit #2 on the U.S. charts, earning the band it’s third consecutive platinum album. The singles, “Babe” (reaching #1 on the charts and becoming their highest-selling single of their career), “Why Me,” and “Borrowed Time” generate mass sales.
1981: Beginning early in the year, STYX would embark on an ambitious 110 date, six-month North American tour. In April, the album Paradise Theatre would be released, soon reaching platinum success (STYX would now have four consecutive platinum albums under their belt), and remaining at #1 on the U.S. charts for three weeks. Two hit singles-“The Best of Times” and “Too Much Time on My Hands”-reach #3 and #9, respectively, on the U.S. charts. The band would become the first in the history of rock ‘n’ roll to have four consecutive triple-platinum albums.
1983: STYX releases concept album, Kilroy Was Here, and will tour in support of it most of the year. A stage act is built around the album, in which costumed band members have roles and dialogue in addition to performing songs. It would become one of the most ambitious rock ‘n’ roll tours ever. The single “Mr. Roboto,” reaches #3, and becomes the second million-selling single in the band’s history (“Babe” being the first). Another single, “Don’t Let It End,” also goes Top 10.
1984: The band releases a double live album titled, Caught in the Act. Although the album is well received by the record buying public, both Dennis DeYoung and Tommy Shaw decide to pursue solo projects (also on A&M records). Subsequently, the band is put on hold. Dennis DeYoung’s Desert Moon and Tommy Shaw’s Girls With Guns both enter top 50.
1985: In December, Tommy Shaw releases What If, which enters the Top 100, and spawns a single, “Ever Since the World Began.”
1986: Dennis DeYoung releases second solo album, Back to the World, and will also contribute a single (not from album), “This Is the Time,” to the movie, “The Karate Kid Part II.” James Young released his first solo effort, City Slicker, a collaboration with Jan Hammer.
1988: Dennis DeYoung releases another solo album, entitled Bloomchild (on MCA)
1990: Tommy Shaw forms a new band, Damn Yankees, with former Night Ranger vocalist/bassist Jack Blades, guitar virtuoso Ted Nugent, and drummer Michael Cartellone. The self-titled debut album will produce two hit singles, “High Enough” and “Coming of Age,” and will eventually sell over 2 million copies on Warner Bros. Records. The band tours extensively with Bad Company, and the album reaches #26. Toward the end of the year, STYX will reunite without Shaw (replaced by Glen Burtnik), and will release the album, Edge of the Century, which begins to garner acclaim.
1991: A single from Edge of the Century titled, “Show Me the Way,” begins chart ascension into the Top 10 during the Gulf War. With the success of the single, STYX joins an elite group of acts who have had Top 10 hits under each of the last four United States Presidents (and Top 10 hits in three different decades).
1992: Damn Yankees release their second effort, Don’t Tread, on Warner Bros. Records. The album, which features the singles “ Don’t Tread” and “Where Are You Goin’ Now?, would eventually reach platinum status. The video for the title track would be aired throughout the 1992 Olympics.
1994: In addition to playing the roll of Pontius Pilate in the national company of Jesus Christ Superstar (to rave reviews), Dennis DeYoung cuts an album of show tunes for Atlantic Records entitled 10 on Broadway.
1995: STYX release Greatest Hits: Volume 1, featuring a re-recorded version of “Lady” with Tommy Shaw (who had not yet joined the band when it was originally recorded). Tommy Shaw and Jack Blades release an album, Hallucination, as Shaw*Blades (Warner Bros. Records). The album would be co-produced by Don Gehman of REM/John Mellencamp fame. James Young forms the James Young Group, with other Chicago musicians and tours in support of their album, Raised by Wolves (Absolute/Whitehouse).
1996: In May, the classic (and most successful) line-up returns with “The Return to the Paradise Theatre” tour, which was seen in over 50 cities. Greatest Hits: Volume II was released in the summer featuring a few new songs. For the first time in thirteen years, Dennis DeYoung, James Young, Tommy Shaw, and Chuck Panozzo were “Rockin’ The Paradise.” Again…
1997: In May, CMC International Records, a division of BMG Entertainment, releases a double album of new studio tracks plus live recording of Greatest Hits from the ’96 tour, appropriately titled, Return to Paradise. Due to popular demand, STYX embarks on a 50-city North American tour in support of the release.
1998: Tommy Shaw releases a solo album in CMC, 7 Deadly Zens and hits the road opening shows for Lynyrd Skynyrd. Dennis DeYoung returns to his theatrical calling as his “Hunchback of Notre Dame” enjoys a successful run in Nashville. The band starts making plans for a new studio album-the classic line-up’s first in 16 years.
1999: The band goes in to the studio in Chicago and Los Angeles to record Brave New World which is released on June 29th. A tour begins in July, which will run through the end of the year.
2000: The band embarks on a 40 city co-headline tour with REO Speedwagon. The tour is so successful that the two bands record and release a double live album and DVD, “Arch Allies – Live at Riverport”. They then extend the tour (to date, Styx and REO have played over 90 shows together, consistently generating hugely successful box office numbers.)
2001: Styxworld Live 2001 is released, containing tracks recorded in Canada, Japan and Germany. The band continues its heavy touring schedule, playing 121 shows, including a 40 city tour with Bad Company that donates over $100,000 to the Rock and Roll Hall of Fame’s Education Fund, marking the first time in history that the Rock Hall attaches its name to a tour.
2002: Styx plays over 90 shows and records a new studio album, set for release in the winter of 2003.
2003: Styx releases Cyclorama on February 18, 2003. The band tours extensively throughout the year in support of the record.

This spring, Luca Lanzetta, owner of the modern Italian kitchen showroom Ernestomeda at LuxeHome, is opening Antonio Lupi, a freestanding Italian bath showroom in River North devoted to Lupi’s sleek lines (516 N. Wells St., 312-479-5632). Mariposa Design Studio, owned by interior designer Kathleen Hanzel, offering many to-the-trade fabrics and trims at discounted prices, along with custom bedding and various upholstery services, and some antiques and accessories, at 115 E. Cedar Ave., in Century Corners, St. Charles, 847-417-0137. An expanded Chelsea Passage will open on the 6th floor of the new Barneys New York at 15 E. Oak St., 312-587-1700.

According to the Christian Bible, St. Joseph the carpenter was the husband of Mary and the earthly father of Jesus. Tradition says that March 19th is the birthday of St. Joseph.

The feast that is celebrated on St. Joseph's Day honors all fathers.

In the Catholic tradition, St. Joseph's Day traditionally falls during the fasting season of Lent that precedes Easter. That means the feasting for St. Joseph's Day is done without meat. Italian recipes include pastas, fish, sweets, breads and fava beans. Many other countries join the festivities on March 19th and, since Joseph is one of the most common names in these countries, most families have at least one Giuseppe, Jozefa, José, Pepe, Joe or Josephine to celebrate with.

TRADITIONS
• Italian Catholics and many descendants of Italian immigrants prepare St. Joseph Tables, tavole di San Giuseppe, set to honor St. Joseph. They are filled with beautiful and often elaborate foods, including meatless dishes such as stuffed artichokes, pasta and fish, as well as breads, cookies, pastries, cakes and other delicacies.

• St. Joseph Tables are placed in both churches and homes. Each table is blessed by a priest and presided over by a statue of St. Joseph. A stalk of lily blossoms, votive candles and a lace tablecloth are typically used to decorate the feast table.

• Notices are posted in newspapers and in other media inviting the public to view and partake of the traditional meal of pasta Milanese. Participants often leave donations at the table.

• Special groups such as orphans, the elderly or the homeless are invited to share in the feast. At the end of St. Joseph's Day, leftover food is sold or given away, and any money earned is donated to the poor.

• In the United States, red is worn on St. Joseph's Day. There doesn't seem to be any religious significance to this color. It seems to have begun as a tradition to complement the tradition of wearing green on St. Patrick's Day, which falls only two days before.

• St. Joseph is the patron of workers and those in need of work. Prayers for the unemployed are often included in the traditions of March 19th celebrations.

• Burying a statue of St. Joseph in your yard on March 19th is said to help in selling your home and finding a new one. There are even special kits that are marketed for this, although most would say that a prayer would do just as well!

WHEN
The feast day of St. Joseph is celebrated on March 19 every year. In 2007, St. Joseph's Day is on Monday.

PURPOSE
St. Joseph's Day is a Roman Catholic feast day commemorating the life of St. Joseph, the foster father of Jesus and husband of the Blessed Virgin Mary.

CELEBRATION
Those with strong religious associations, most often those of European descent, typically celebrate St. Joseph's Day.

Greeting cards with a spiritual focus and a light blessing are used to commemorate St. Joseph's Day. In the United States, Hallmark offers four St. Joseph's Day cards.

In many countries St. Joseph's Day is a national holiday.

Those who visit a St. Joseph's table, often receive gifts of fava beans and breads. Fava beans play an integral part of the celebration because this was the food that saved the Sicilians from starvation. The bean is said to bring good luck, and it is believed that if the St. Joseph's bread is kept in the home, the family will never starve.

HISTORY
Many Italian St. Joseph's Day traditions stem from the middle ages. During a famine in Sicily, when food was scarce and many people were starving, the poor people had only their faith to rely on. St. Joseph was known as the protector of the Holy Family; thus, Italians with strong family relationships prayed for St. Joseph to intercede for them, in an effort to ensure successful crops. Their prayers were answered, and the famine came to an end. In gratitude, people promised to make annual offerings of their most precious possession – food – in St. Joseph's honor.

Little is said in the gospel about Joseph, except that he was a descendant of David and a carpenter by trade. Legends provide additional details about Joseph's life. He supposedly was a widower of advanced age when he was chosen by God to wed Mary.

According to one legend, Mary's many suitors left their staffs in the temple one night so that God could indicate who she should marry. The next morning, Joseph's staff blossomed with white flowers and leaves and sent forth a white dove, indicating that he was the chosen one. This explains why statues of St. Joseph typically show him holding the Christ Child and a stalk of white lilies and why this day is a common celebration of fathers throughout the Christian world.

March 19 is said to be St. Joseph's birthday and is celebrated as St. Joseph's Day.

The feast of St. Joseph also marks the beginning of spring in many countries. One Czech proverb, Pekne-li na Svatého Josefa, bývá dobrý rok...

Or, If it is nice on St. Joseph's Day, it will usually be a good year

Wow ...
> If you haven't heard Il Divo sing before, you are in for an extra treat.
> This is an operatic quartet consisting of a Swiss, a Spaniard, a Frenchman
> and
> an American.

I Owe My Mother

1. My mother taught me TO APPRECIATE A JOB WELL DONE .
"If you're going to kill each other, do it outside. I just finished cleaning."

2. My mother taught me RELIGION.
"You better pray that will come out of the carpet."

3. My mother taught me about TIME TRAVEL.
"If you don't straighten up, I'm going to knock you into the middle of next week!"

4. My mother taught me LOGIC.
" Because I said so, that's why."

5. My mother taught me MORE LOGIC .
"If you fall out of that swing and break your neck, you're not going to the store with me."

6. My mother taught me FORESIGHT.
"Make sure you wear clean underwear, in case you're in an accident."

7. My mother taught me IRONY.
"Keep crying, and I'll give you something to cry about."

8. My mother taught me about the science of OSMOSIS .
"Shut your mouth and eat your supper."

9. My mother taught me about CONTORTIONISM.
"Will you look at that dirt on the back of your neck!"

10. My mother taught me about STAMINA .
"You'll sit there until all that spinach is gone."

11. My mother taught me about WEATHER.
"This room of yours looks as if a tornado went through it."

12. My mother taught me about HYPOCRISY.
"If I told you once, I've told you a million times. Don't exaggerate!"

13. My mother taught me the CIRCLE OF LIFE.
"I brought you into this world, and I can take you out."

14. My mother taught me about BEHAVIOUR MODIFICATION .
"Stop acting like your father!"

15. My mother taught me about ENVY.
"There are millions of less fortunate children in this world who don't have wonderful parents like you do."

16. My mother taught me about ANTICIPATION.
"Just wait until we get home."

17. My mother taught me about RECEIVING .
"You are going to get it when you get home!"

18. My mother taught me MEDICAL SCIENCE.
"If you don't stop crossing your eyes, they are going to get stuck that way."

19. My mother taught me ESP.
"Put your sweater on; don't you think I know when you are cold?"

20. My mother taught me HUMOUR.
"When that lawn mower cuts off your toes, don't come running to me."

21. My mother taught me HOW TO BECOME AN ADULT .
"If you don't eat your vegetables, you'll never grow up."

22. My mother taught me GENETICS.
"You're just like your father."

23. My mother taught me about my ROOTS.
"Shut that door behind you. Do you think you were born in a barn?"

24. My mother taught me WISDOM..
"When you get to be my age, you'll understand."

And my favorite: 25. My mother taught me about JUSTICE .

"One day you'll have kids, and I hope they turn out just like you

From Wikipedia, the free encyclopedia


Exterior view (in 1909) of the storefront office of P. Schiavone & Son, bankers and steamship agents, located at 925 South Halsted Street.Little Italy is located in the Near West Side community area of the city of Chicago, Illinois. It encompasses a 12 block stretch of Taylor Street east of Ashland Avenue and the streets to the north and south for several blocks in each direction. The neighborhood lies between the Illinois Medical District to the west and the University of Illinois at Chicago to the east. It is a neighborhood of strongly Italian influence.

Little Italy never had a concentration of Italian-Americans that constituted a majority.[1] Other ethnicities have always been present in the area known as "Little Italy."[2] Nonetheless, the neighborhood was given its name due to the strong influence of Italians and Italian culture on the neighborhood throughout the 19th and 20th century.

Though the Italian population declined throughout the late 20th century, many Italian restaurants and groceries remain in the formerly prominent Taylor Street corridor.[3] The neighborhood also hosts the National Italian American Sports Hall of Fame as well as the historic Roman Catholic churches Our Lady of Pompeii, Notre Dame de Chicago, and Holy Family 1940s to present Italians began arriving in Chicago in the 1850s in small numbers. By 1880, there were 1,357 Italians in the city.[4] By the 1920s, Italian cookery became one of the most popular ethnic cuisines in America, spawning many successful bakeries and restaurants—some of which prospered for generations and continue to influence the Chicago dining scene today.[3] By 1927, Italians owned 500 grocery stores, 257 restaurants, 240 pastry shops, and numerous other food related businesses that were concentrated in the Italian neighborhoods.[3] One success story is that of the Gonnella Baking Company, Chicago’s largest producer of Italian bread and rolls.[5]

The immigration of Italians accelerated throughout the late 19th century and into the early 20th century. Chicago's foreign-born Italian population was 16,008 in 1900 and peaked at 73,960 in 1930.[4] The largest area of settlement was the Taylor Street area, but there were also 20 other significant Italian enclaves throughout the city and suburbs.


1940s to present
Following World War II, several developments hindered the cohesion of the community. The construction of the Eisenhower Expressway and the University of Illinois at Chicago Medical district forced many to move. The establishment of the Circle Campus of UIC in the 1960s by Mayor Richard J. Daley further dispersed the community. During the construction of the 100-acre UIC campus, 200 businesses and 800 homes were bulldozed in Little Italy, with 5,000 residents displaced.[6]

By the end of the 20th century, Little Italy was one of many formerly high-profile elements of the city’s geography that had become a mere shadow of itself.[7] Few long-time residents are left in the community. Census data for the Taylor Street Little Italy tract showed only 1,280 people reporting Italian as their primary ancestry in 1990. In 2000, the number was 1,018.[8] However, Chicago’s foodways continue to rely on their roots in the intimate neighborhood cuisines, including cuisine from the surviving Italian restaurants in the formerly prominent Taylor Street corridor.[3]


Recent gentrification
Rents in the area have risen in the past few decades due to an influx of condominiums, townhouses, and the proximity of Little Italy to UIC and the Loop. An example of this gentrification: in the 1990 census, no homes in the Little Italy sample area were reported to be worth more than $400,000. By contrast, according to the 2000 census, 62 homes were reportedly worth more than $500,000, and 13 of those were worth at least $1 million.[8].


Landmarks
Two of the more significant landmarks of Little Italy were the Catholic churches of Our Lady of Pompeii and Holy Guardian Angel founded by Mother Cabrini.[9] Holy Guardian Angel was the first Italian congregation in Chicago. The parish was established in 1898, and the church was built on Arthington Street in 1899. Due to the burgeoning population, a second major Italian church, Our Lady of Pompeii, was founded in 1911.[10] The Holy Guardian Angel Church was razed for the construction of the expressway system.[11] The Our Lady of Pompeii Church is now a the Shrine of Our Lady of Pompeii.

Hull House, Jane Addams' settlement house known for its social and educational programs was also located within the Little Italy area.

In recent years, the National Italian American Sports Hall of Fame (founded in 1977 in Elmwood Park, Illinois) was relocated to a new building in Little Italy.


Other "Little Italies" in Chicago

A three story apartment house and a one story dwelling in Little Hell in September 1902.Several other areas in Chicago had significant Italian populations aside from Taylor Street, which has popularly been known as Chicago's "Little Italy."


Little Sicily or "Little Hell"
In the 22nd Ward on the city's Near North Side, a Sicilian enclave known alternately as "Little Sicily" and "Little Hell" was established in an area formerly populated by Scandinavians.[12] It was considered the most colorful Italian neighborhood,[9] and was home to 20,000 Italians by 1920.[9] However, the neighborhood no longer exists today due to the construction of the Cabrini-Green public housing projects on the site during and after WWII. By the mid 1960s, the rising violent crime rate and other social problems that came as a result of the housing projects caused an exodus of many of the original inhabitants of the area.[12]


"Heart of Italy"
On the city's South Side, a community centered on 24th and Oakley called "Heart of Italy" or "Little Tuscany" is composed mostly of Northern Italian immigrants. This neighborhood is home to the yearly Festa Pasta Vino, an Italian food and wine festival that claims to be "Chicago’s largest celebration of Italian culture".[13]


References
^ a b Grinnell, Max. "Encyclopedia of Chicago "Little Italy"". Chicago Historical Society. Retrieved on 2007-02-07.
^ Binford, Henry C., "Multicentered Chicago", The Encyclopedia of Chicago, p. 548-9, Eds. Grossman, James R., Keating, Ann Durkin, and Reiff, Janice L., 2004, The University of Chicago Press, ISBN 0-226-31015-9
^ a b c d Poe, Tracy N., "Foodways", The Encyclopedia of Chicago, p. 308-9, Eds. Grossman, James R., Keating, Ann Durkin, and Reiff, Janice L., 2004, The University of Chicago Press, ISBN 0-226-31015-9
^ a b Vecoli, Rodolph J., "Italians", The Encyclopedia of Chicago, Eds. Grossman, James R., Keating, Ann Durkin, and Reiff, Janice L., 2004, The University of Chicago Press, ISBN 0-226-31015-9
^ Kraig, Bruce, "Food Processing", The Encyclopedia of Chicago, p. 304, Eds. Grossman, James R., Keating, Ann Durkin, and Reiff, Janice L., 2004, The University of Chicago Press, ISBN 0-226-31015-9
^ Leroux, Charles, "Cold Shoulder: UIC and its neighborhood are thriving but the two have yet to embrace", Chicago Tribune, September 25, 1991.
^ Binford, Henry C., "Multicentered Chicago", The Encyclopedia of Chicago, p. 552, Eds. Grossman, James R., Keating, Ann Durkin, and Reiff, Janice L., 2004, The University of Chicago Press, ISBN 0-226-31015-9
^ a b Paolini, Matthew and Craig Tiede, "Economic upswing in Little Italy comes with a price" Medill News Service. December 1, 2005.
^ a b c Candeloro, Dominic (2006). "[http://www.virtualitalia.com/ch/chicago_italians1.shtml chicago's italians immigrants, ethnics, achievers, 1850-1985 - part 1]". virtualitalia.com. Retrieved on 2007-04-19.
^ Candeloro, Dominic Lawrence Chicago's Italians: Immigrants, Ethnics, Americans p. 24
^ Candeloro, Dominic (2006). "[http://www.virtualitalia.com/ch/chicago_italians2.shtml chicago's italians immigrants, ethnics, achievers, 1850-1985 - part 2]". virtualitalia.com. Retrieved on 2007-04-19.
^ a b Seligman, Amanda, "Cabrini-Green", The Encyclopedia of Chicago, Eds. Grossman, James R., Keating, Ann Durkin, and Reiff, Janice L., 2004, The University of Chicago Press, ISBN 0-226-31015-9
^ "Chicago's Festa Pasta Vino". Retrieved on 2007-02-08.

From Wikipedia, the free encyclopedia

Embrace Your Inner Foodie

During Chicago Restaurant Week 2009!

Tables are set at over 130 tantalizing eateries throughout the city for the 2nd Annual Chicago Restaurant Week. From February 20-27, food lovers will enjoy amazing opportunities to revisit their favorite spots – or sample some they've always wanted to try – for just $22 for 3-course prix-fixe lunches and $32 for 3-course prix-fixe dinners (excluding beverages, tax and gratuity).

Restaurants may offer lunch or dinner, or both, as a participant in Chicago Restaurant Week. American Express® Cardmembers may make early reservations through January 25, 2009.

Whatever your taste – spicy sizzle, scrumptious seafood, or 5-star sophistication - you're sure to find plenty to savor during Chicago Restaurant Week. Just visit our list of participating restaurants to make your choices by restaurant name, neighborhood, or type of cuisine. Then get ready to eat it up, Chicago!


Search for a participating restaurant:


Ai Japanese Restaurant & Lounge
358 W. Ontario Japanese
Aigre Doux
230 W. Kinzie St. American
Ajasteak
660 North State Japanese
Alhambra Palace
1240 W. Randolph Mediterranean
Andiamo
10000 Bessie Coleman Drive Inside the Hilton Italian
aria
200 N. Columbus Drive American
Atwater's
15 South River Lane Geneva IL, 60134 American
Atwood Cafe
One West Washington Street American
Ballo, A Rosebud Restaurant
445 North Dearborn Italian
Ben Pao
52 W. Illinois Chinese
Benihana - Schaumburg
1200 E. Higgins Road Schaumburg IL, 60173 Japanese
Berghoff Restaurant
17 W. Adams St. American
Bistro 110
110 East Pearson Street French
bluprint restaurant & lounge
222 Merchandise Mart Plz # 135 American
Brasserie Jo
59 W. Hubbard French
Brazzaz The Brazilian Steakhouse
539 North Dearborn Brazilian
Bubba Gump Shrimp Company
700 E. Grand Ave American
Cafe Ba Ba Reeba
2024 N. Halsted Spanish
Cafe des Architectes
20 East Chestnut Street French
Cafe Spiaggia
980 North Michigan Ave. Italian
Caliterra Restaurant
633 N. St. Clair Italian
Cape Cod Room
140 E. Walton Pl. Seafood
Carmine's
1043 N. Rush St. Italian
Carnivale
702 W Fulton St Latin
Carson's BBQ Ribs, Steaks & Chops
612 N. Wells American
Chez Colette
5550 North River Road Rosemont IL, 60018 French
Chicago Firehouse Restaurant, The
1401 S. Michigan Ave. American
China Grill
230 North Michigan Ave Fusion
C-House
166 E. Superior Street American
Coco Pazzo
300 W. Hubbard Italian
Coco Pazzo Cafe
636 N. St. Clair Italian
Crofton on Wells
535 N. Wells St. American
David Burke's Primehouse
616 N. Rush Street Steak & Beef
Devon Seafood Grill
39 E. Seafood
Dine Restaurant
733 W. Madison Ave. American
Drawing Room at Le Passage
937 North Rush St American
Ed Debevic's
640 N. Wells St. American
English
444 N. LaSalle St. Gastro Tavern
Farmerie 58
58 E. Ontario American
Fleming’s Prime Steakhouse & Wine Bar
25 E. Ohio Street Steak & Beef
Fox & Obel Market, Cafe & Catering
401 East Illinois American
Frontera Grill and Topolobampo
445 North Clark Street Mexican
Fulton's on the River
315 N. LaSalle Street American
The Gage Chicago
24 S. Michigan Ave. Gastro Tavern
Geja's Cafe
340 W. Armitage Ave. Continental
Grace O'Malley's Restaurant
1416 S. Michigan Ave. Irish
Grill on the Alley
909 North Michigan Ave American
Hard Rock Cafe
63 W. Ontario American
Harry Caray's Italian Steakhouse
33 West Kinzie Street Steak & Beef
Harvest Grill
540 N. Michigan Ave. American
House of Blues Back Porch Restaurant
329 North Dearborn Cajun
Hugo's Frog Bar
1024 N. Rush St. Seafood
Indian Garden Restaurant
247 E. Ontario Street #2 Indian
Jack Binion's Steakhouse
777 Casino Center Drive Hammond IN, 46320 Steak & Beef
Japonais
600 W. Chicacgo Ave. Japanese
Joe's Seafood, Prime Steak and Stone Crab
60 E. Grand Seafood
Kamehachi Japanese Restaurant and Sushi Bar
240 East Ontario Japanese
Kamehachi Japanese Restaurant and Sushi Bar (Wells)
1400 North Wells Japanese
Keefer's Restaurant
20 W. Kinzie Seafood
Klay Oven
414 N. Orleans Indian
La Cantina Grill
1911 S. Michigan Avenue Mexican
La Cantina Italian Chophouse
71 W. Monroe Italian
La Madia
59 W. Grand Ave. Italian
La Sardine
111 N. Carpenter French
La Trattoria Del Merlo
1967 N. Halsted St. Italian
Lawry's The Prime Rib
100 East Ontario Steak & Beef
LB Bistro & Patisserie
301 E. North Water St., Lvl. 2 French
Le Colonial Restaurant
937 N. Rush Street Vietnamese
The Lobby at The Peninsula Chicago
108 E. Superior Breakfast / Brunch
Lockwood Restaurant & Bar
17 E. Monroe Street American
Luxbar
18 E. Bellevue Pl. American
M Avenue Restaurant
701 N. Michigan Ave. American
Maggiano's Little Italy
516 N. Clark Street Italian
Martini Park
640 N. LaSalle Drive American
McCormick and Schmick's Fresh Seafood Restaurant
1 E. Wacker Dr. Seafood
McCormick and Schmick's Fresh Seafood Restaurant - Chestnut
41 E. Chestnut St. Seafood
Melting Pot
609 N. Dearborn American
Merlo on Maple
16 W. Maple Italian
Merlo Ristorante
2638 N. Lincoln Avenue Italian
Metropolitan Club, The
Sears Tower - 67th Floor - 233 S. Wacker Dr American
Mexx Kitchen at the Whiskey
1015 North Rush Street Mexican
Morton's The Steakhouse
65 East Wacker Place Steak & Beef
N9NE Steakhouse
440 W. Randolph Steak & Beef
Naha
500 North Clark Street American
Nick's Fishmarket
51 S. Clark St. Seafood
NoMI
800 N. Michigan Ave., 7th Fl. Eclectic
one sixtyblue
1400 West Randolph American
Original Gino's East, The
633 N. Wells St. Pizza
Osteria Via Stato
620 N. State Street Italian
Palm, The
323 E. Wacker Drive Steak & Beef
Pane Caldo
72 E Walton St Italian
Park 52 Restaurant
5201 S. Harper Ave. American
Park Grill
11 N. Michigan Ave. American
Parrot Cage Restaurant
7059 S. South Shore Drive American
Petterino's
150 N. Dearborn American
Phil Stefani's 437 Rush
437 N Rush St Italian
Piccolo Sogno Restaurant
464 N. Halsted St. Italian
Prosecco
710 N. Wells Italian
Pump Room
1301 N. State Parkway Euro
Quartino Ristorante
626 N. State St. Italian
Restaurant at Conrad, The
521 N. Rush @ Michigan Avenue American
Rhapsody
65 E. Adams American
Ristorante We
172 W. Adams Italian
Riva
700 East Grand Avenue Seafood
Rock Bottom Restaurant & Brewery
One West Grand American
Rockit Bar & Grill
22 W. Hubbard Street American
Rosebud on Rush
720 N. Rush Italian
Rosebud Prime
One S. Dearborn Steak & Beef
Rosebud Steakhouse
192 E. Walton Steak & Beef
Rosebud Theater District
70 W. Madison Italian
Rosebud, The
1500 W. Taylor Italian
Roy's Chicago
720 N. State Street Fusion
Ruth's Chris Steak House
431 North Dearborn Steak & Beef
Saloon Steakhouse, The
200 E. Chestnut Street Steak & Beef
Seasons Restaurant
120 E. Delaware Place American
Shor
2233 S Martin Luther King Dr American
Shula's Steak House
301 East N. Water Street Steak & Beef
Smith & Wollensky
318 North State Street Steak & Beef
South Water Kitchen
225 N. Wabash Avenue American
Sullivan's Steakhouse
415 North Dearborn Steak & Beef
Sushi Samba Rio
504 N. Wells Japanese
Tavern at the Park
130 East Randolph St American
Texas De Brazil - Downtown Chicago
51 East Ohio Brazilian
Tizi Melloul
531 N. Wells Mediterranean
Topolobampo
445 N. Clark St. Mexican
Triad Sushi Lounge
1933 S. Indiana Ave. Japanese
Tuscany on Taylor
1014 W. Taylor Street Italian
Viand Bar & Kitchen
155 East Ontario American
Walnut Room, The
111 N. State St., 7th Fl. American
Wave
644 N. Lake Shore Drive Mediterranean
Wildfire Chicago
159 W. Erie American
Zapatista
1307 S. Wabash Ave. Mexican
Zest Restaurant
505 North Michigan Avenue American